Sunday, November 6, 2022

November's Picks

A bit late getting this out's November's picks!

1. KING HORROR-"Dracula Prince Of Darkness" UK Joe DU 34 1969

Starting out with a creepy organ (reminiscent to the intro of The Prisoners "Revenge Of The Cybermen") this thumping bass n' organ skinhead reggae groover is punctuated by toasting by King Horror (aka Lord Davey) who improvises over the steady groove. 

2. BONGO HERMAN, LES AND BUNNY-"Chairmen Of The Board" UK Green Door GD 4049 1972

This track is from a much later time than the accepted "classic skinhead reggae" period but it takes the backing track from the skinhead classic "Liquidator" by The Harry J All Stars and improvises with a vocal/toasting over the top accented by whistles and conga and all round party vibe with the great chorus "I mash up the wrong, I love up the right". 

3. THE PYRAMIDS-"Telstar" UK Trojan TR-7755 1970

304 Holloway Road meets moonstomping as The Pyramids take their instrumental reggae sound to a catchy cover of The Tornados hit "Telstar" that borders on reggae meets easy listening, but what a marvelous mix it is! 

4. DEREK HARRIOTT-"Tang Tang Festival Song" UK Island WI 3135 1968 

This Derek Harriott track on Island is one of his priciest to obtain and takes a funky groove accented with congas and smooth brass It lyrically preempts John Holt's use of nursery rhymes in a reggae style with his smash "Ali Baba" the following year. 

5. THE OPENING-"Tea House" UK Reggae  REG 3001 1970

This MEGA rare skinhead reggae organ instrumental was later copped by Joe Mansano and issued as "Tea House For Emperor Roscoe" on Joe (JRS 3 1970) with some toasting. This basic track with piano/organ and some slide trombone care of the legend himself, Rico Rodriguez is just as interesting without toasting/vocals thanks to it's funky melody. 

6. BONGO LES & HERMAN-"Dr. Who" UK Explosion EX 2002 1969

This priceless funky reggae organ instrumental with toasting bears absolute no resemblance to the famous "Dr. Who Theme". It has this bizarre clanging nautical bell throughout as percussion and eventually some melodica that works really well with the herky-jerky organ. 

7. LLOYD TERREL-"Bang Bang Lulu" UK Pama PM 710 1968

This classic double entendre is more rocksteady than skinhead reggae, but it's priceless regardless. It tells the tale of a popular young lady named Lulu, with brass punctuation often removing the logical next rhyming/naughty word ("Lulu had two boyfriends, one was very rich, one the son of a banker the other than son of a..." or my favorite "Lulu had a boyfriend, his name was Tommy Tucker, he took her to an alley just to see if he could..."). 

8. CLANCY ECCLES-"Feel The Rocking" UK Doctor Bird DB 1156 1968

Clancy Eccles updated Theo Beckford's ska classic "Easy Snapping" but updated the back beat from ska to skinhead reggae with throbbing bass and a more uptempo groove. Often confused on CD comps with it's less than interesting A-side "Feel The Rhythm". 

9. VAL BENNETT-"Spanish Harlem" UK Trojan TR 611 1968

Val Bennett took Ben E. King's hit and reggae-fied it with organ and horns rebirthing it as a skinhead reggae shuffle instrumental produced by the legendary Lee "Scratch" Perry. Again like "Telstar" above it verges on easy listening but the rhythm is much too catchy to put anyone to sleep!

10. THE CRYSTALITES-"Bombshell" UK Explosion EX 2005 1969

This instrumental takes the backing track from Rudy Mill's explosive skinhead reggae classic "John Jones" (UK Big Shot BI 509) from 11 months earlier and replaces the vocals with some jazzy sax. It works thanks to the rhythm!

You can here all of these and more by heading over to Spotify and listening here. PLEASE disregard the incorrect artist titles on some of the tracks, a typical Spotify cock up....

All scans from my collection except #5 c/o

Friday, November 4, 2022

U.S. Soul/R&B/Jazz/Blues 45's For November

1. CANDY MAN AND THE CANDY BARS-"Voodoo Man" U.S. Roulette R-4707 1966

Starting with a maniacal laugh worthy of Screamin' Jay Hawkin's this number is an uptempo go-go groover with call and response backing vocals and bluesy guitar licks behind a funky beat.

2. SHIRLEY MATTHEWS-"Big Town Boy" U.S. Atlantic 45-2210 1963

This number owes more to girl group sounds than r&b but it's uptempo enough with it's soulful hand claps that lend a quasi Motown feel to it (accented by an interesting muted trumpet solo).

3. DUKE BROWNER-"Crying Over You" U.S. Impact 1008 1966

This in demand dance floor smash on Detroit's underdog label Impact has subtle strings (no doubt attracting shuffling speak freaks in Northern dance halls) and strong vocals. The number sounds lost like it wants to be more soulful but can't because the production and backing reeks of blue eyed soul. An original copy will set you back a grand....


4. PATTI'S GROOVE-"It Won't Last Long" U.S. Columbia 4-43484 1965

Starting out with some raunchy guitar this number teeters between plaintiff girl ground sounds and hip swaying soul with lead vocals that remind me of a husky Debbie Harry, but the delivery is rapid fire and therefore quite danceable. In retrospect it sounds, musically,  like something The Outsiders (American sort) would have released.

5. CHARLES PERRY-"I've Got A Feeling Called The Blues" U.S. Melic 4138 1963

Starting with some jazzy female vocals like a haunting siren the number quickly turns into a catchy little r&b belter that's like the illegitimate love child between Mel Torme and Roscoe Gordon with a Dave "Baby" Cortez style organ solo spicing things up.

6. THE VIRGINIA WOLVES-"Stay" U.S. Amy 966 1966

This pounding re-do of the Maurice Williams and The Zodiacs hit is one third Four Seasons, one third brassy soul and one third frat rock (dig those punctuated shouts of "Stay!" that sound like a football sideline). Somehow it all works, splendidly. Perfect for the dance floor.

7. CHRIS COLUMBO-"You Can't Sit Down" U.S. Battle B-45904 1962

The flip of Columbo's reading of "Stranger On The Shore is this fairly note for note cover of Phil Upchurch's rollicking instrumental "You Can't Sit Down". Whereas the original has the organ bearing the prevalent role the horns are in the focus here. It doesn't best the original but as one Garcon said "vive la difference".

8. LONNIE SATTIN-"Watermelon Man" U.S. Scepter 1251 1963

This cover of Herbie Hancock's "Watermelon Man" is a curious mix of gritty soulful r&b backed with prerequisite Latin rhythm, jazzy flute and suave lead vocals which are sadly detracted by some mildly annoying female caterwauling in the background, like those great Georgie Fame tracks in '64 with The Breakaways screeching in the background.

9. TOM AND JERRIO-"Boo-Ga-Loo" U.S. Jerry-O JO 110 1965

This amazing slice of boogaloo r&b is punctuated by hand claps, a driving beat and some ad libbing vocals calling out latest dance crazes and indecipherable gibberish. It was later co-opted by The Emperors and later Jerry O. as "Karate Boogaloo".

10. PRINCE HAROLD-"Born To Please" U.S. Verve VK 10530 1967

Located on the flip of "Why'd You Go Away" this slick produced, sassy stormer is carried by some incredibly powerful horns and these heavy duty breaks and soulful female backing vocals. Incredible!

Who's got one they want to part with? Asking for a friend....

All scans courtesy of