Anorak Thing is on vacation....see you in September!
|WORLD OF OZ-Beside The Fire/Mandy-Ann US Deram 45-85043 1969|
|THE HERD-I Can Fly/Understand Me U.S. Fontana F-1588 1967|
|DEL SHANNON-Mind Over Matter/Led Along U.K. Liberty LIB 10277 1967|
Stone's manager/producer Andrew Loog Oldham was never a man to shun lofty ambitions, and when he founded his independent label Immediate in 1965 with partner Tony Calder he always had an eye on using the label to help further the careers of not just up and coming British artists but his American heroes too, witness his licensing of the McCoy's "Hang On Sloopy" as the label's debut release (IM 001 August 1965 or Mark Murphy's U.K. only LP "Who Can I Turn To" ( IMLP 004 1966). With that in mind he made overtures to bring American singer Del Shannon over to record an entire LP. The project was to be titled "Home And Away" and no expense was spared with in house songwriters Andrew Rose and David Skinner (also known collectively, as the Immediate records duo Twice as Much) and Billy Nicholls supplying tunes to augment some of Shannon's own compositions. The sessions were held at London's Olympic studios in February 1967 with the cream of the crop participating including Steve Marriott, Kenny Jones, P.P. Arnold, Billy Nicholls, John Paul Jones, Twice As Much, Andy White and Nicky Hopkins among them adding musical backing and vocals. Production was handled by Oldham with arranging done by Art Greenslade. Then it all fell apart with financial mismanagement that left the LP, largely, unreleased until 1978 (in the U.K. as "And The Music Plays On" Sunset Records SLS 50412).
Some of the tracks from the sessions did squeak out as singles. Today's subject issued in the U.K. on Liberty (credited as "An Immediate Records production") in June of 1967 was among them. "Mind Over Matter" is to my ears, the best track of the entire LP so it was a perfect logical choice for a single. It's lushly orchestrated with strings, woodwinds and trumpet (thanks to the deft hand or Art Greenslade, best known for orchestrating Chris Farlowe's #1 smash of The Stone's "Out Of Time") that musically remind me of an upbeat Walker Brothers type thing.
|Del In London at the time of the recording of "Home And Away".|
The flip, "Led Along" was penned by Immediate records wunderkid Billy Nicholls and was not recorded by him on his criminally rare Immediate LP "Would You Believe". It's not as strong as anything on Nicholl's LP (Shannon also recorded Nicholl's "Come Again" as "Cut And Come Again" and another tune Nicholls did not release "Friendly With You" for "Home And Away"). "Led Along" has distinct "Pet Sounds" influences in it's use of high backing vocals and the chord charges. Del's vocals are in two part harmony with an interesting backing of strings, banjo and ivory tinkling. It's not the best song on the LP but worth a spin for the over the top arrangements once again courtesy of Art Greenslade.
Both sides are available on various CD re-issues of "Home And Away".
Hear "Mind Over Matter":
Hear "Led Along":
|THE TRANSATLANTICS-Run For Your Life/Run For Your Life US Jubilee 45-5529 1966|
|Dutch 45 sleeve, c/o 45cat.com|
|KIPPINGTON LODGE-Rumors/And She Cried US Capitol 2236 1968|
|RUSSELL MORRIS-The Real Thing Part 1/The Real Thing Part 2 US Diamond D-263 1969|
|THE WASHINGTON D.C.'S-Thirty Second Floor/A Whole Lot More US Date 2-1537 1966|
|JACKPOTS-Jack In The Box/ Henbane's Sacrifice US Sire SI 4113 1969|
Here's ten interesting U.K. 60's 45's for your listening pleasure! All scans are courtesy of 45cat.com.
1. ROY CASTLE-"Voodoo Girl" UK CBS 201736 1965
Tucked away on the flip of the title cut from the 1965 Chritopher Lee vehicle "Dr. Terror's Castle Of Horrors" is this jazzy little number. The vocals recall Mark Murphy and the kitschy musical backing (led by the revered British reed player Tubbby Hayes) is quite swinging. Going for insane $$ these days.
2. THE NEW JUMP BAND-"The Only Kind Of Girl" UK Domain D1 1968
Starting off with a moddy organ/horns intro playing a "Can't Explain" type riff "The Only Kind Of Girl" becomes a poppy number reminiscent of The Tremeloes or The Love Affair. The organ solo is almost freaky at times sounding like a Mellotron!
3. DIANA LANDOR-"Empty Little Shadows" UK Pama PM 726 1968
Cabaret singer Diana Landor cut a curious reading of Oscar Brown Jr.'s "Afro Blue" for the predominantly reggae outlet Pama with this jazzy little flute led number "Empty Little Shadows" on the flip. It's poppy but subtly cool with some marimbas, the earlier mentioned flute and cheery sounding backing vocals. Produced by Harry Palmer also responsible for twiddling the knobs on The Mohawks 45's for the label .
4. TED HEATH AND HIS ORCHESTRA-"Sidewinder" UK Decca F12133 1965
Famed British bandleader Ted Heath cut this interesting version of Lee Morgan's epic "Sidewinder" in 1965 that garnered nary a notice. It's stuffy as you would expect from Ted Heath but it's not without it's charm either and was apparently used as the theme for the TV program "Jukebox Jury".
5. SYMON AND PI-"Sha La La La Lee" UK Parlophone R 5662 1968
File under freaky, this number made famous by the Small Faces was revamped by British based German producer Mark Wirtz for the duo Symon and Pi. It's over the top orchestration sounds like something from a musical like "Jesus Christ Superstar" or "Godspell". The musical backing is the key to this though, the swinging strings and the phlanged drums make it worth a listen (and not at all unlike Wirtz's famous "Excerpts From A Teenage Opera").
6. THE NEWS-"The Entertainer" UK Decca F12356 1966
Here's an interesting version of Tony Clarke's famous U.S. Chess soul classic "The Entertainer". It's not terribly soulful but interesting nonetheless reminding me more of soul covers by The Fourmost as opposed to soul/r&b aficionados like The Action (who probably would have been better suited to cover it).
7. JOHN CAMERON QUARTET-"Troublemaker" UK Deram DM 256 1969
U.K. multi instrumentalist John Cameron released this sole Deram 45 of tracks from his ultra expensive "Off Centre" long player in 1968. It's a jazzy yet funky instrumental that could easily pass for something from a late 60's U.S. film soundtrack by Lalo Schfrin or Herbie Hancock. Produced by Mr. Deram, A&R supremo Wayne Bickerton it's worth a listen if jazzy easy listening is your bag.
8. THE DECISION-"In The Shade Of Your Love" UK MCA MU 1027 1968
This is a one off pop/psych pop 45 by The Decision that features some amazing vocal harmonies, subtle brass and churchy organ coming across like a British answer to sunshine pop Californian merchants The Association. Lovingly unearthed by Particles on Volume 13 of their hit or miss British 45 rpm pop psych series "Piccadilly Sunshine".
9. JEFF ELROY AND BOYS BLUE-"Honey Machine" UK Phillips BF 1533 1966
This tune first came to my attention via a Jackie Lomax acetate version on one of the Strange Things Are Happening CD comps back in the early 90's. This version is not as freaky and far more soulful thanks to the brass but has a curious campy "supper club soul" feel to it.
10. BARRY ST. JOHN-"Come Away Melinda" UK Columbia DB 7783 1965
Barry St. John cut a host of semi mundane girl group sound 45's (of mostly U.S. cover versions) on Decca before moving to EMI's Columbia imprint for this Mickie Most production of this anti-war ballad "Come Away Melinda". The creepy factor is upped by her singing verses in a little girl lost voice in certain parts of it earning it a minor chart placing in the U.K. hit parade.
|KEITH RELF-Mr. Zero/Knowing U.S. Epic 5-10044 1966|
|German picture sleeve c/o 45cat.com|
|HUMBLE PIE-Natural Born Bugie/Wrist Job U.K. Immediate IM 082 1969|
|"Mod? Never 'eard of it..."|
In 1967 Island records jumped from their WI (West Indies) catalog number series to the WIP series which unlike the WI, was predominantly rock and roll. Here's ten from the WIP series for your listening pleasure:
1. RAY CAMERON-"Doing My Time" WIP 6003 1967
I know absolutely zilch about this record but discovered it via Nick Rossi many years ago. It's got a feel not unlike the sort of brassy sophisticated pop/r&b that Georgie Fame and Zoot Money were leaning towards in late '66/early '67 when they were easing off the soulful r&b. Penned by Cameron and organ whiz Alan Hawkshaw it reminds me of Fame's hit "Getaway" or Zoot Money's "Nick Knack". Lyrically it concerns a prisoner (complete with lots of sound affects) and was released on the heels of a host of high profile HM Prison escapes.
2. TRAFFIC-"Coloured Rain" WIP 6025 1967
The flip of Traffic's third single "Here We Go Round The Mulberry Bush", "Coloured Rain" rates as one of their most powerful tracks in my estimation and might have made a better topside. Winwood has never sounded more soulful and the mix of organ and percussion give at hint of what his previous band, The Spencer Davis Group, might have sounded like had he not packed it in and gotten a little more "freaky".
3. JIMMY CLIFF-"I Got A Feeling (And I Just Can't Stop)" WIP 6011 1967
Jamaica born Jimmy Cliff had a Jekyll and Hyde music career on Island. On one hand he was a reggae artist and on the other he made slightly poppy soul records, a split that must have confused fans and chart compilers alike. "I Got A Feeling" is in the latter category. It reminds me of SDG's "Can't Get Enough Of It" but with uptempo horns and soulful backing vocals not unlike his French E.P. only tune "Let's Dance" (a vocal version of Wyncder K. Frog's "Dancing Frog").
4. THE V.I.P.'s-"Straight Down To The Bottom" WIP 6005 1967
One of Island's strongest 45's for me will always be the second single for the label by soul/r&b quintet The V.I.P's (it would also be their last using the V.I.P's moniker). Propelled by powerful/soulful call and response vocals/backing vocals it's infectious groove is carried along by almost wonky sounding stride piano and some funky percussion (I swear there's congas buried in there). Mike Harrison's vocals sound marvelous and the backing vocals shore it all up. Magic! Two months later the band would re-emerge on the label as Art (see below).
5. THE SMOKE-"It Could Be Wonderful" WIP 6023 1967
Freakbeat legends The Smoke switched to Island after two singles with Columbia and launched this 45 in November '67. "It Could Be Wonderful" is driven by a mid tempo beat with bursts of raw power chords and a Motown influenced bass line. In the middle bit it gets freaky with a banjo before crashing backing into their trademark power pop gusto adding a Morse code guitar lick reminiscent of "You Keep Me Hanging On" and the bass line doubling as it fades out.
6. WYNDER K. FROG-"I'm A Man" WIP 6014 1967
Hammond organ driven r&b legends Wynder K. Frog issued two singles on the label in their distinct red and white WI series before moving to a taste of pink with the WIP series. Their over the top instro reading of the SDG's "I'm A Man" is a full on party committed to vinyl with hand claps, crowd shouts , a raucous football terrace drunken yell of the main chorus and of course wailing Hammond organ. The music press at the time reported that this was recorded live in Paris at Bridgette Bardot's birthday party, keyboardist Mick Weaver subsequently owned up that it was pure fantasy concocted by the band's management.
7. ART-"What's That Sound (For What It's Worth)" WIP 6019 1967
Two months after the above mentioned V.I.P's 45 "Straight Down To The Bottom" the band changed their name to Art and cut this interesting cover of The Buffalo Springfield's 1966 hit. It adds a heavy riff (that I swear was nicked by Hot Chocolate for their hit "You Sexy Thing") to it that totally revamps the number. Six months later they would add a new member and become Spooky Tooth (see below).
8. JOYCE BOND-"Do The Teasy" WIP 6010 1967
West Indian vocalist Joyce Bond had previously cut on single for the label's WI series before this release. Punctuated by a rocksteady rhythm and some very British r&b sounding horns that could easily be from a '67 Georgie Fame 45. "Do The Teasy" is an inoffensive little commercial sounding reggae tune punctuated with the obligatory shouts of "Hey!". It was produced by the famous Harry Palmer, the man behind the decks on The Mohawks Pama 45's. Never one to miss an opportunity to plagiarize Prince Buster re-cut it as "Take It Easy" the following year.
9. NIRVANA-"The Girl In The Park" WIP 6038 1968
Pop psych duo Nirvana released this, their fourth 45 rpm offering on the label in August of 1968. Wrapped in a wonderful production by Muff Winwood and orchestrated by Syd Dale it's a magnificent number with lush strings, harpsichord, angelic sunshine pop choral bliss and brass that would give any Decca/Deram release in the pop-sike genre a run for it's money. My favorite bit as at 2:13 in when the brief "ba ba ba's" come in and carry the number out.
10. SPOOKY TOOTH-"Sunshine Help Me" WIP 6022 1968
The ink was barely dry on the label's of Art's Buffalo Springfield cover as WIP 6019 before the band added keyboard player and NJ native Gary Wright and became Spooky Tooth, their third moniker revamp in a year's time. "Sunshine Help Me" is a powerful mix of Small Faces '68 style rocking and soulful shades of the band's previous incarnations. Led by the dual vocals of Wright and the ever soulful Mike Harrison it's mix of churchy Hammond, harpsichord, tabla and blistering guitar that easily make it the most powerful thing they ever did.
45 scans of The Smoke and Spooky Tooth courtesy of 45cat.com.
P.P. ARNOLD-(If You Think You're) Groovy/Though It Hurts Me Badly US Immediate ZS7 5006 1968
Watts, California born singer P. P. Arnold (born Patricia Cole) found herself in London after quitting being an Ikette in Ike & Tina Turner's band and in 1966 was signed to Andrew Loog Oldham's Immediate records label through intercession of Mick Jagger. She cut six singles for the label in the U.K. Her fourth was penned by Small Face's Steve Marriott and Ronnie Lane, "(If You Think You're) Groovy", issued in Britain in January of 1968 it reached #41 in the charts. It was issued the following month here in the U.S. (where it was her second 45, the first being her cover of Cat Steven's "The First Cut Is The Deepest").
"(If You Think You're) Groovy" is, in my estimation, her strongest track. Legend has it that the Small Faces recorded their own version, but as this has failed to materialize in subsequent comps I believe this is a myth of sorts. In conversation with the late Ian McLagan many years ago he confessed to me that he wasn't entirely sure that there was a version they did of their own! Regardless of the existence of a Small Face's version the band definitely provide the musical backing on this and the results are nothing short of powerful! Driven by Kenny Jone's explosive signature drum fills and Steve Marriott's wailing backing vocals, "(If You Think You're) Groovy" is the perfect vehicle for P.P. Arnold's fiery voice. She's coolly detached and perfect for the song, which lyrically is the ultimate put down song. There's flute, brass and of course the amazing Small Faces. Immediate did a groovy promo film for the track with P.P. and the SF's cavorting on the beach that you can check out here.
The flip, "Though It Hurts Me Badly" was penned by P.P. and produced by Mick Jagger. It's nothing spectacular, coming off to my ears like a Dionne Warwick tune with soul. Mick did an amazing production job which makes me wonder why the Stones sounded muddy!?!
|P.P. and the boys|
Both tracks are available on a host of P.P. Arnold compilations, which like the Small Faces material for the label are many!
Hear "(If You Think You're) Groovy":
Hear "Though It Hurts Me Badly":