Songs That "Rubble" Taught Us: Finders Keepers "On The Beach"

 

FINDERS KEEPERS-On The Beach/Friday Kind Of Monday US Fontana F-1609 1968

Finders Keeper's "On The Beach" came into my orbit (and probably everyone else's) on the famous 1984 Bam Caruso LP compilation "The 49 Minute Technicolor Dream" (Rubble Four). Finders Keepers were a U.K. harmony pop quintet from Wolverhampton who released three singles in their home country, one on CBS and two on Fontana (this was their first on the label and their only U.S. release, issued as TF 892  in December 1967 in the U.K. and in March of 1968 in the U.S.).

I have pictured the B-side "On The Beach" because even though it's the B-side it's the track I prefer. 

The A-side "Friday Kind Of Monday" was penned by Jeff Barry and Ellie Greenwich and was first covered/released by an obscure American act called The Meantime in September 1967, who were rumored to be a studio only concoction with Ellie Greenwich on vocals . Finder's Keeper's version is quite similar in arrangement and just a tad more sped up. It's not unlistenable per se but it's a fairly pedestrian slice of U.K. mid 60's harmony psych pop.

"On The Beach" is the stronger of the two with it's intricate layers of harmony vocals intermingled with

harpsichord and sweeping strings (and the obligatory regal trumpet tooting). To these ears it's an amazing slice of British orchestrated sike pop.

 

Band members Glen Hughes went on to find fame in Deep Purple and Mel Galley in fellow head bangers Whitesnake. They both crossed paths in Trapeze in 1969 with members of The Montanas. 

As mentioned above "On The Beach" appeared on Rubble Volume Four and "Friday Kind Of Monday" appeared on Volume 14 of the "Piccadilly Sunshine" series. 

Hear "Friday Kind Of Monday":

https://youtu.be/ZNSBiA1sU9c?si=m8BMhLwJJQJOPQWd

Hear "On The Beach":

https://youtu.be/ZNSBiA1sU9c?si=m8BMhLwJJQJOPQWd

The Best Of Sue Records (U.K.) Part Four

1. INEZ FOXX-"Mockingbird" WI-301 1963

Brother and sister duo Charlie and Inez Foxx had a prolific career with the U.K. Sue label releasing one LP and six singles 1963-1964. "Mockingbird" (originally issued in June of 1963 on Symbol in the U.S.) was their debut on the label released in December 1963 and was hugely successful sales wise.

https://youtu.be/g47_NI1CWNQ?si=Ak_QjYBtISoMK8kr

2. LITTLE JOE COOK-"Stormy Monday Blues" WI 385 1965

"Stormy Monday Blues" was of a not so hush hush release by Chris Farlowe and The Thunderbirds (who were technically still signed to Columbia but en route to a new chapter with Andrew Loog Oldham's Immediate label) under the pseudonym of "Little Joe Cook". To my ears it's one of the best things he ever did, aided in no small part by Alvin Lee's nimble fret work. The number is edited with the track continuing on Side B. 

https://youtu.be/f_fjjaRWFn8?si=5tF7ZesP-jmqPAjv

3. BOB & EARL-"Baby I'm Satisfied" WI-393 1965

Soul duo Bob & Earl cut three singles and one LP for the label. "Baby I'm Satisfied" (originally released in the States on Chene in July 1964 with "The Sissy" as the A-side and "Baby..." on the flip) was their  second 45 for Sue, far inferior in my opinion to "The Sissy" which was also recorded by The Action (but unreleased until the 80's). 

https://youtu.be/XlouR0g8Flo?si=aKm-tAqO_X4GQLV9

4. BETTY EVERETT-"I've Got My Claim On You" WI-352 1965

Betty Everett released a slew of 45's in the U.K. on Stateside and Fontana before this one off Sue release issued in January 1965. Like many U.K. Sue releases it was not a new release having been originally launched way back in 1962 in America on the One-derful label. 

https://youtu.be/YXYW2Ea3dyM?si=Bt0O8oKsZSTFiUEL

5. HANK JACOBS-"So Far Away" WI-313 1964

Mod jazz keyboard hero Hank Jacobs was one of the handful of U.K. Sue artists who's single was actually released in the United States on Sue as well (October 1963). This highly in demand killer double sided instrumental (paired with "Monkey Hips and Rice") was launched in Britain in April 1964. 

https://youtu.be/6UX3NhaTwV8?si=Sk8Vl3YVQSJlKQH7

6. ELMORE JAMES-"I Need You" WI-4007 1966

The late blues legend Elmore James had an extremely prolific career (albeit posthumously) with the U.K. Sue label seeing their release of two LP's, four singles and appearances on multiple Sue compilation albums. Sue WI-4007 was his last release for the label on April Fool's Day 1966 and was previously issued as a single in the U.S. on Sphere in October 1965 as a flip to "Shake Your Moneymaker". 

https://youtu.be/0R1Re167hQw?si=Oqt2xSJoDYeHx1ij

7. THE OLYMPICS-"The Bounce" WI-348 1964

The Olympics released just one single on the label after a string of U.K. releases on HMV and Vogue. "The Bounce" was originally released in the United States on the flip of "Fireworks" in November 1962 on the Tri-Disc label, and saw a December 1964 release in Britain where it became the A-side. 

https://youtu.be/mQVX1QF6tKk?si=kT3Ka4VJICKL-D7m

8. BUSTER BROWN-"Fannie Mae" WI-368 1965

Blues man Buster Brown had just one release on Sue in the U.K. with the April 1965 release of his original 1959 debut single (in America on Fire), including it's original U.S. flip side "Lost In A Dream".  It was his third of just four singles released in the U.K.

https://youtu.be/ZmxCQU1rHUY?si=C3mCqcHlNew1D9rp

9. THE SHADES OF BLUE-"Oh! How Happy" WI-4022 1966

American blue eyed soul folks The Shades Of Blue saw their sole British release here on Sue who unleashed their American #12 smash to Britain in September 1966. The number was written by Edwin Starr and originally released in March of '66 on the Impact label in the US of A. 

https://youtu.be/WGN8OSLrakI?si=A-VE_nZbEpuqxSwF

10. WILLIE MABON-"Got To Have Some" WI-320 1964

Veteran blues belter and Anorak Thing personal fave Willie Mabon saw three singles released on Sue in the U.K. This was his debut release for the imprint and was unleashed on Britain in October 1965 (it was originally issued in the States on Formal in September 1962). 

https://youtu.be/rh9eiW6yzSw?si=4oYHMmqldxg17LUZ

More U.K. Obscurities On U.S. Labels: The State Of Mickey & Tommy

 

THE STATE OF MICKY AND TOMMY-Frisco Bay/Nobody Knows Where You've Been U.S. Mercury 72758 1967

U.K. pop psych duo Micky (Mick Jones, he of Foreigner fame) and Tommy (Brown) cut two singles that were released in the U.S. Today's subject was the second. We covered their first back in 2018 here.  They wrote all of their own material and in addition to the two American releases issued a single in Canada, three in Britain (one as "The J & B") and two EP's as well as two 45's (one of which was a hideously rare French only release as Nimrod).

Group original "Frisco Bay" is a pretty light weight number when stacked against all of the other releases. Musically it reminds me of a throwaway track by another U.K. pop psych duo, Twice As Much. The strings have a "Love Is Blue" vibe and though it's well produced and orchestrated it's pretty unremarkable, especially lyrically:

"Frisco Bay, sail away, leave your flowers lying on the shore, where you're going you can find some more...".

The gold however is on the flip, "Nobody Knows Where You've Been", an all out raga tour de force that is greatly indebted to the Fab's "Within Without You" with it's tabla tapping, eerie strings and this incredibly freaky phasing section that comes in mid way that's absolutely mind-blowing. It comes in again at the end as the vocals fade away in a psychedelic wash! Both sides were arranged and conducted by Jim Sullivan of "Sitar Beat" fame and produced by Lou Reizner, the man who signed David Bowie to Mercury records two years later thus bringing the world "Space Oddity".

Norwegian picture sleeve c/o 45cat.com

 

"Nobody Knows Where You've Been" was on Bam Caruso's ""5,000 Seconds Over Toyland (Rubble Volume 15)" comp along with their  previous single "With Love From One To Five" and on the compilation "Curiosity Shop Volume Six" and it is also available on streaming on Spotify. "Frisco Bay" has yet to see a reissue anywhere.

Hear "Frisco Bay":

https://youtu.be/k1INfpUKO4k?si=8gk8CWg1tL7ZlBPK

Hear "Nobody Knows Where You've Been":

https://youtu.be/gMrRezmGEMI?si=AKrI0DfK15yT-GFe

More U.K. Obscurities On U.S. Labels: Roy Budd "Carter"

 

ROY BUDD-Carter/Plaything U.S. DJM 70,022 1971

One of my all time favorite film's is Michael Caine's 1971 British gangster noire tour de force "Get Carter". What makes it such an amazing film is the incredible soundtrack put together by the late Roy Budd, a British jazz pianist who reportedly made the soundtrack for a mere £450 !My discovery of the film and it's phenomenal soundtrack came in the mid 90's when I was being consumed by all things easy/kitsch/bachelor pad/soundtrack music from the 60's and 70's.

"Carter" the opening theme for the film is one of the most incredible title tracks ever. Starting with a monotonous stand up bass line and tabla mixed with train sound affects the main melody then comes in on a harpsichord and is eventually joined by some very Ray Manzarek style electric piano. The whole feel and mood is absolutely hypnotic. There is a video of Budd dubbing sounds onto the film that you can view here. 

Roy Budd c/o From The Vaults

"Plaything" on Side B was utilized as incidental music in the film. It's far more up tempo than the A-side, led by a harpsichord interspersed with organ and electric piano, bass, drums and jazzy guitar. More of an incidental piece, it's still interesting. 

Both sides are available on the many reissues of the soundtrack as well as this interesting 45 box set that compiled four songs from the soundtrack. Both tracks are also available through streaming. AND for those who have never seen the film, have a peek at the trailer:

 

Hear "Carter":

https://youtu.be/YO0dHPhDuLs?si=lsXV_3T8BuFmTFHu

Hear "Plaything":

https://youtu.be/LqTB36ySMk8?si=hSiObspE3vRfdQNs

Mod Is Dead: Psychedelia Is King Part Two-The Who "I Can See For Miles"

 

THE WHO-I Can See For Miles/Someone's Coming U.K. Track 604011 1967

When Pete Townshend was staggering around a Pink Floyd gig at the U.F.O. club London in the middle of a bad L.S.D. trip in 1967 he bumped into loyal Who fan and Goldhawk club mod Ace Face "Irish Jack" Lyons who could hardly believe his eyes. His hero was wearing an Afghan coat and beads and tripping his balls off. Pete was equally astonished that Jack was still in his mod gear and declined Lyon's invite for a pint at the pub across the street instead stating that he was going to go check out the macrobiotic food stall, that his girlfriend, Karen Astley (daughter of "The Saint" theme composer Edwin Astley) was working in her risque paper dress sans undergarments. Karen  Astley was heavily involved with the U.F.O. club and appeared on one of their flyers (see below). 

Pete and Karen Astley, pre-psychedelia (note bottle of Teacher's whiskey)

Roger Daltrey has stated "The Who didn't do peace and love" and though this is essentially true Pete's acid experiences had a major impact on their third single of 1967, "I Can See For Miles". It was unleashed on the British public on October 13, 1967 , strangely it was issued in America on September 18th (where the band promoted it the previous evening on "The Smothers Brothers Show").  Much to Pete Townshend's chagrin (he considered it one of his greatest accomplishments and still does) it stalled at #10 in Britain but went on to become their highest American chart placing single to date reaching #9. The American release featured "Mary Anne With The Shaky Hand" as it's B-side, whereas the British release featured John Entwistle's "Someone's Coming". The lyrics to "I Can See For Miles", partially inspired by Pete's insecurities that Karen was cheating on him while he was on the road (one has the feeling that he was not remotely chaste at this time) were also inspired by his L.S.D. use (something he would end after a bad experience on Owsley's STP while on the flight home to England following the Monterey Pop Festival in June). During one particular trip at a Pink Floyd gig (quite possibly the same one he encountered Irish Jack at) Pete became convinced that Roger Waters was seducing Karen from the stage and was terrified that Waters was "swallowing him" and according to Pink Floyd producer and U.F.O. Club organizer Joe Boyd, Pete spent most of the gig crouched in front of the stage telling all and sundry how terrified he was. 

"I Can See For Miles" put the Who firmly back in their game of powerful singles in the tradition of "My Generation" or "Anyway Anyhow Anywhere" after light weight releases like "Substitute", "Happy Jack" and their ill advised Rolling Stone's cover "The Last Time". Beginning with a resonating power chord and Moon's surprisingly tight drumming (in fact Moon's drumming throughout the entire track is incredibly intricate and disciplined!) "I Can See For Miles" is an iconic track with layer upon layer of buzzing /stinging guitars and a chorus of harmony vocals that perfectly mesh with the thundering crescendo.  This is The Who at their best after spending forever on the road in the United States and recording on the hoof as they criss crossed the country in a Greyhound bus (the backing track was recorded in London and the vocals and overdubs were cut at Talent Masters in NYC and the soon to be finished product was mixed at Gold Star in Los Angeles). 

The flip side, Entwistle's "Someone's Coming" is a polar opposite the A-side. Backed by Entwistle's intricate horns layered in overdubs it's not an unlikable track but truly a throwaway B-side and nothing in the league of previous stellar Entwistle flip sides like "In The City" or "Doctor Doctor". 

We briefly dipped into the waters of the death of mod and the birth of psychedelia way back when in a previous post. 

Hear  "I Can See For Miles"

Hear "Someone's Coming" 

The Empire State Soul Club: Anorak Thing's DJ Set Lists 8/9/25 NYC

Listed below are my two sets, all 45's are US pressings unless noted. The Empire State Soul Club is held the second Saturday of every month at Otto's Shrunken Head, 538  East 14th Street, NYC, NY 10009 from 9 PM-2 AM. No cover, 21+ only. 

SET ONE

Spooner’s Crowd-Two In The Morning (Cadet)

The Isley Brothers-Who’s That Lady (1964) (United Artists)

Lala Wilson Band-Flea Pot (Aura)

The Soul Runners-Charley (MoSoul)

Ike and Tina Turner-Tell Her I'm Not Home (Loma)

Terry and Jerry-Mama Julie (UK R&B)

Georgia Lynn-Sugar Shack Queen (Belgium London)

Dee Clark-That’s My Girl (Constellation)

Jackie Shane-In My Tenement (Sue)

Big Daddy Simpson-Give Me Back My Ring (M-Pac!)

Garnet Mimms and the Enchanters-Tell Me Baby (United Artists)

Gene Chandler-(Gonna Be) Good Times (Constellation)

SET TWO

The Precisions-(If This Is Love) I'd Rather Be Lonely (Drew)

Johnny Wyatt-This Thing Called Love (UK Pyramid)

Donnie Elbert-This Old Heart Of Mine (backing track instrumental) (UK Acid Jazz)

Bob Brady and the Con Chords-Everybody’s Goin’ To The Love-In (Chariot)

The Peels-Time Marches On (Germany Karate)

Mauricio Smith and The Instant Latin Swingers-Tell Him About Johnny (RCA Victor)

Lydia Marcelle-Everybody Dance (Atco)

Blenders-Tale Of Sadness (DJO)

Billy Prince-Somebody Help Me (Verve)

The Mohawks-Baby Hold On Part II (Cotillion)

Wynder K. Frog-I’m A Man (UK Island)

The Heavyweights-Shambala (UK Spark)

Georgie Fame-Last Night (US 45 edit) (Imperial)

Your Boss DJ's from Saturday night 8/9/25 l to r:
Yours truly, Jennie Wasserman, ESSC Queen and founding 
member Connie "The Empress" and Scott Belsky. 
Pic courtesy of Luis Zuluaga

The Empire State Soul Club: Anorak Thing DJ's 8/9/25 NYC

 

Join me on Saturday August 9th, 2025 at 9 P.M. at Otto's Shrunken Head, 538 East 14th Street, NYC, NY as I spin soul/r&b till 2 A.M. with Jennie Wasserman, Scott Belsky and Connie T Empress. No cover, 21+ only.