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1. THE LLOYD ALEXANDER REAL ESTATE-"I'm Gonna live Again" President PT 157 1967
Holy cow Batman! After a good 30 years of digging U.K. 60's mod-ish sounds I am consistently impressed that there are still tracks out there from the genre that I have never heard and this one is a perfect example. To me it perfectly encapsulates everything "mod": soulful horns, ska rhythms, groovy Hammond, powerful key changes. strong backing vocals and poppy yet assertive lead vocals. Magic. Pure magic.
http://youtu.be/Idgfxj5ZqYY
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2. THE EYES OF BLUE-"Don't Ask Me To Mend Your Broken Heart" Deram DM 114 1967
No band better exemplifies this piece than these Welsh blue eyed soul belters who achieved just two brilliant 45's in this vein for Deram before getting heavy and going "progressive", a phrase that is the bane of mod/r&b in my (narrow) book. This was the flip of their final single, the much in demand soul stormer "Supermarket Full Of Cans".
http://youtu.be/nkL-DBAYyfo
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All three of this band's 45's are smoking and all three of them will set you back quite a bit. Best known for their Small Faces on dexy's Hammond instro classic "Bert's Apple Crumble" this was the flip of their third and final Deram 45 "I Can't Sleep" that perfectly mixes their sax/organ groove perfectly with just a sprinkle of freakiness.
http://youtu.be/n27C-CLMzWw
4. THE GASS-"Dream Baby (How Long Must I Dream)" CBS 202647 1967
Yet another band with three excellent singles (among them a killer swipe at Jimmy Holliday's "The New Breed"), this was their third and final installment, a soulful reworking of Roy Orbison's hit redone with sassy horns and organ underpinnings.
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5. THE RICHARD KENT STYLE-"Go Go Children" Columbia DB 7964 1966
Angel trumpets and devil's trombones! This single is the archetype example of where soulful mod r&B met the sinister side of freakbeat. The horns are like a mutant clarion calling on the freaks in the mod scene to come out from their crevices and groove, the "My Generation" of the "out crowd" generation with it's looping bass line, "Hall Of The Mountain King" style horns and ballsy vocal delivery.
http://youtu.be/wKmx3-mn0AY
6. THE LOOSE ENDS-"Taxman" Decca F12476 1966
I've no idea who these guys were but their take on the fabulous Fab Four "Revolver" track has the danceable organ groove of the Spencer Davis Group and the sneering punkiness of an early Who record (with SOUL!). Their second and final single, released the very same days as the LP it was taken from!
http://youtu.be/1lNGy2645YQ
7. THE BUNCH-"We're Not What We Appear To Be" CBS 202506 1967
Though from the year of all things psychedelic, and these lot certainly dipped their oars in the great pop-psych lake on their latter CBS 45's, though the first two (this was the second) firmly embraced a good dose of soul mod r&b with Hammond and horns. This track is an essential "go-go" ode to night life and all things flash and stylish delivered like The Animals circa '66 being backed by Georgie Fame's horn section.
http://youtu.be/0RsaYLUxcj0
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8. THE ELASTIC BAND-"8 1/2 Hours Of Paradise" Decca F 12815 1968
True these cats were a bunch of longhairs who released a pretty heavy Decca/Nova LP in later days but their two Decca 45's are precision produced hand clapping, Hammond, mod soul. Have a listen and tell me I'm wrong!
http://youtu.be/Skshd36hozk
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9. DOUBLE FEATURE-"Baby Get Your Head Screwed On" Deram DM 115 1967
From the pen of fellow Deram artist Mr. Cat Stevens comes this groover with horns, soulful piano/vibes, bongos, strings and even a fuzz guitar chiming with the sax! This was their first release and never fails to disappoint in my book!
http://youtu.be/X-WuDK8nU7g
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10. THE UNIVERSALS-"Green Veined Orchids" Page One POF 049 1967
A brilliant bit of Small Faces second album styled "soulful psych" ("psych" in lyrics only as this number packs a powerful horn section). Both of this bands Page One 45's are worth picking up in the ghost of a chance you have of finding them. This is my favorite of them both!
http://youtu.be/Awn7_5DcunE
1 comment:
Enjoyed going through these - ta. Love the organ break in the middle of Tax Man!
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