2-Tone:'68 Style

THE FOUNDATIONS-Back On My Feet Again/I Can Take Or Leave Your Loving U.K. Pye 7N.17417 1968

Unless you've been living in a shack in the wilds of Oregon you'll no doubt be familiar with The Foundations via "Build Me Up Buttercup" or "Baby, Now that I've Found You". The Foundations were a multi racial British based band boasting members from the U.K., West Indies and Sri Lanka. Though their hits have tended to create the unfortunate "oldies station" overkill the Foundations were a top notch band with soulful sounds, smart styles (their drummer for awhile sported a suedehead style) and first class pop/soul tunes care of the song writing/production team of John Macleod and Tony Macauly.

Macauly/Macleod's "Back On My Feet Again" was the band's second single , released in January 1968. It followed their August 1967 number one (on both sides of the Atlantic) "Baby, Now that I've Found You". Lead by the soulful vocals of the band's original lead singer Clem Curtis (who's West Indian accent adds just the right bit of "flavor" to the tune) the number is catchy as hell from it's simple brass section blaring out the melody, it's subtle groovy Hammond twirling and solid backing vocals.

The flipside is an equally powerful pop/soul number called "I Can Take Or Leave Your Loving", a bit more downtrodden than the A-side but full of precision horn work and cool call and response backing vocals. Oddly enough Mickie Most's boys Herman's Hermit's issued a version of the song at the exact same time as their A-side (Columbia DB 8327) earning them a hit! This must have led to some interesting exchanges in the green room of "Top Of the Tops" as both acts went to plug their respective hits! Despite being a catchy little tune "Back On My Feet Again" died a death at #48 and the band would have to wait a further ten months and a new lead singer to capture #1 again with "Baby, Now That I've Found You".

Both sides are contained on numerous Foundations Pye/Sequel/Castle compilations.

Hear "Back On My Feet Again":

https://youtu.be/RZde8iXKr04

Hear "I Can Take Or Leave Your Loving":

https://youtu.be/R87c3_i2gI8

Big In Japan:Gary Walker & The Rain

GARY WALKER & THE RAIN-Album No.1 (Phillips SFX-7133 Japan LP) 1968

SIDE ONE:

Magazine Woman

The Sun Shines

Doctor Doctor

I Can't Stand To Lose You

Market Tavern

Take A Look

SIDE TWO:

The View

If You Don't Come Back

Thoughts Of An Old Man

Francis

I Promise To Love You

Whatever Happened To Happy

Okay let's just assume you've been on Mars for the past 50 years and were unaware of an American U.K. based mid 60's pop sensation trio called The Walker Brothers. The Walkers rode high on the hit parade led by Scott Walker's (real surname Engel) moody baritone backed up by John Walker's similar tones (real last name Maus) and then there was Gary Walker (nee Leeds) on drums. There were claims that he didn't drum on their records because of American contractual obligations, in fact I can barely tell if he sang on their records either. Gary, was however, the first Walker to be afforded "solo" records (long before the "Solo Scott/Solo John" EP, see January 11, 2009 entry): "You Don't Love Me"/"Get It Right" U.K. CBS 202036 in February 1966 and "Twinkle Lee"/"She Makes Me Feel Better" U.K. CBS 202081 in May 1966. But by 1967 the rot had set in and despite a brief Japanese reunion tour the Walkers were dead. Gary wasted little time putting a group together: Gary Walker and The Rain with Gary on lead vocals and drums, ex- Masterminds guitarist Joey Molland on lead guitar, Paul Crane (formerly of The Cryin' Shames) on rhythm guitar and ex-Universals member John Lawson on bass. Nasty legal proceedings by former management scuttled any chance of their February 1968 debut "Spooky"/"I Can't Stand To Lose You" (U.K. Polydor 56237) gaining any radio/TV exposure so the band turned to the land of the Rising Sun where The Walkers were, behind The Beatles and The Monkees, the hottest act in that far off land. This enabled them to issue two singles and an E.P. on Phillip's Japanese imprint :"Spooky"/"I Can't Stand To Lose You" Phillips SFL-1150, "The View"/"Thoughts Of An Old Man" Phillips SFL-1174 and an E.P. "Magazine Woman"/"Take A Look"/"The View"/"Spooky" Phillips SFL-3243. Soon an LP was deemed necessary. The forthcoming Japanese only "Album No.1" is one of the most expensive U.K. 60's vinyl LP's of all time. Copies fetch anywhere in the $2-3,000.00 mark with their lavish color sleeves. It was bootlegged on LP and then CD by some dodgy person who had the audacity to initially charge heavy prices for the bootleg LP. Fortunately it was reissued on CD in pristine from the masters glory in the U.K. this year.

The LP was basically a collection of some previously released tracks from their Japanese 7" discography with production handled by the late ex-Four Pennies member Fritz Fryer (also responsible for producing freakbeat/psych legends The Open Mind and Jason Crest). Rather than go track by track I've opted to highlight my favorite tracks. Kicking off with the spooky "Taxman" bass line driven "Magazine Woman" the album is a freakbeat/psych masterpiece. "Magazine Woman" has a lysergic presence in it's repetitive "Taxman" bass loop and some electronically distorted guitars that are mind bending. "The Market Tavern" is a piano backed quintessential trip to the England of village greens, brown ale and darts and wouldn't be at all out of place on a Kink's LP from '67-'69 with it's English social observations ("Johnny comes from Scotland where the haggis can be found, he wears a suit on Sunday and he'll never let you down, he's related to Robert The Bruce, he came to London and he drank all the juice.."). The band's version of The Classic's VI hit "Spooky " (which pipped Dusty Springfield's version on the B-side of "How Can I Be Sure" by a whole two years) though ill advised is not terrible, then there isn't much you can do to ruin this groovy little number. "Take A Look" is pure rock n' roll with high falsetto backing vocals that recall the Fab Four before they grew moustaches and weird and like all the band's numbers feature some solid deep basslines. "The View" is probably one of the band's more way out numbers starting with some jazzy arpeggios and a nice mesh of phlanged bass and piano driving the band's Beatlesque harmonies along as they croon "what is the few like from the thirteenth floor?". At about 2:09 listen for Lawson's flubbed bass line as he comes back into the verse in the wrong key. A blistering six minute and 45 second version of The Drifter's "If You Don't Come Back" is next up. Molland plays some insane distorted solos and at one point sounds like he's doing a Nigel Tuffnell and has set his guitar down against a bank of amps to let it feed back while things are thrown at it. The number does go on a bit but the impassioned lead vocals and the Fab Four influenced backing vocals give it some "go"! "Thoughts Of An Old Man" is another distinctly British psych-pop number with phlanged piano, chirpy "ba ba ba ba" backing vocals and lovely melody and lyrics concerning a lonely, retired senior citizen. There's a break where a backing vocalist sings and is answered through a megaphone by the lead singer and some sky-ing backing vocals (ala The Association) wrap around your head. "Francis" follows the same blistering Molland guitar pyrotechnics of ""If You Don't Come Back", bu here they're brief, controlled and evocative of British psych pop before headbands and 20 minute blues jams killed it all. It was also tucked away on the flip of the band's U.K. only cover of The Easybeat's "Come In You'll Get Pneumonia (Phillips BF 1740 in January 1969).

My "MOD" Top 200

I'm quite sure this will provoke an argument. Many years back I compiled a list of my fave "mod" 45's, "mod" being what I thought the original 60's U.K. mods listened to, songs from that time period and above all songs that I was dj-ing back then (2005) when I still used to spin. This was 100% influenced by "Uncut" magazine's special "MOD" issue that featured a reprint of the late Randy Cozen's "Mod Top 100" list I did not include any ska/Blue Beat or any British records as well, I was trying to originally just keep it at 100. As you can see that didn't happen! This is not to say that any of this would not be considered "mod". I'd easily rate Lord Kitchener's "Dr.Kitch" or The Westminster Five's "Shakin' The Blues" as equally "mod" as a Sue 45 release, but then this list would reach 500, and I'm sure no one wants to read my top 200 let alone...............

1. Bobby Bland-I Pity The Fool
2. Chris Kenner-Land Of A Thousand Dances
3. Ike & Tina Turner-Two Is A Couple
4. The Ikettes-Sally Go Round the Roses
5. Ike & Tina Turner-Chicken Shack
6. James Brown & His Famous Flames-Shout And Shimmy
7. Solomon Burke-Stupidity
8. Googie Rene Combo-Smokey Joes La La
9. Billy Preston-Billy’s Bag
10. Dave Baby Cortez-Getting To The Point
11. The Flamingos-I Only Have Eyes For You
12. The Revells-Midnight Stroll
13. The Dynamics-Misery
14. The Coasters-Shoppin For Clothes
15. Bo Diddley-Pills
16. Jimmy McCracklin-The Walk
17. Gene McDaniels-The Point Of No Return
18. Marv Johnson-You Got What It Takes
19. Rufus Thomas-The Dog
20. Bill Doggett-Honky Tonk Pts 1&2
21. Tommy Tucker-High Heel Sneakers
22. Inez Foxx-Hurt By Love
23. King Coleman-Do the Hully Gully
24. Jimmy Smith-Got My Mojo Working Pts 1&2
25. Jimmy Witherspoon-Moneys Getting Cheaper
26. Macy Skipper-Goofin Off
27. Little Walter-My Babe
28. The Isley Brothers-Your Old Lady
29. Mark Murphy-Why Don’t You Do Right
30. Derek Martin-Daddy Rolling Stone
31. The Triumphs-Burnt Biscuits
32. Mel Torme-Comin Home Baby
33. Mose Allison-The Seventh Son
34. The Phil Upchurch Combo-You Can’t Sit Down Pts. 1&2
35. Jimmy McGriff-Kiko
36. Mingus-Freedom
37. Kai Winding-Comin Home Baby
38. Shirley Scott-A Shot In The Dark
39. Kenny Burrell-Kenny’s Theme
40. Big John Patton-Fat Judy Pts 1&2
41. Little Ester Phillips-Mojo Hanna
42. The Caper Brothers-I Aint Gonna Write You
43. The Packers-Hole In The Wall
44. Jimmy Reed-Big Boss Man
45. BeverlyAnn Gibson-Three Dollar Bill
46. The Miracles-Shop Around
47. John Lee Hooker-No One Please Like You Do
48. Booker T. & The MGs-Be My Lady
49. J.J. Jackson & The Jackaels-Oo Ma Liddi
50. Richie Barrett-Some Other Guy
51. Koko Taylor-Wang Dang Doodle
52. Bill Blacks Combo-Little Queenie
53. Ike Turner & His Rhythm Kings-The New Breed Pts 1&2
54. The Soul Sisters-Loop De Loop
55. Mark Murphy-Senor Blues
56. Big Dee Erwin & Little Eva-Swingin On A Star
57. Ike & Tina Turner-Its Gonna Work Out Fine
58. Oscar Brown Jr.-But I Was Cool
59. The Impressions-Gypsy Woman
60. Bill & Will-Goin To The River
61. Billy Preston-I Am Comin Through
62. Timmy Shaw-Gonna Send You Back To Georgia
63. Jimmy McGriff-Discotheque
64. The Drifters-At The Club
65. Barrett Strong-Money (Thats What I Want)
66. Ray Charles-One Mint Julip
67. The Megatons-Shimmy Shimmy Walk
68. Arthur Alexander-You Better Move On
69. The Orlons-The Wah-Watusi
70. The High Keys-Que Sera Sera
71. Doris Troy-Whatch Gonna Do About It
72. Bo Diddley-Back To School
73. Jimmy Reed-Im That Man Down There
74. Mongo Santamaria-Yeh Yeh
75. The Isley Brothers-Whos That Lady?
76. Oliver Nelson-The Critics Choice
77. Jimmy Witherspoon-Some Of My Best Friends Are The Blues
78. Gene Allison-You Can Make It If You Try
79. Mickey Lee Laine-Hey Sah Lo Ney
80. Ray Charles-Lets Go Get Stoned
81. Tiny Topsy-Just A Little Bit
82. Brooks O’ Dell-You Better Make Up Your Mind
83. Mose Allison-Eyesight To The Blind
84. Don Covay-Take This Hurt Off Me
85. Tommy Tucker-Long Tall Shorty
86. Shirley Ellis-The Nitty Gritty
87. Betty Everett-Cant Hear You No More
88. Booker T & The MGs-Green Onions
89. Rufus Thomas-The World Is Round
90. Derek Martin-Dont Put Me Down Like This
91. The Vibrations-My Girl Sloopy
92. Nina Simone-Dont Let Me Be Misunderstood
93. Major Lance-The Monkey Time
94. Lee Dorsey-Can You Hear Me?
95. Solomon Burke-Everybody Needs Somebody To Love
96. The Ikettes-Peaches And Cream
97. The Orlons-Shimmy Shimmy
98. Chico Hamilton-For Mods Only
99. Chuck Berry-Ramona Say Yes
100. Bobby “Blue” Bland-Aint That Loving You
101. The Kolettes-Whos That Guy
102. The Champs-Tequila
103. Sugar Pie Desanto-I Dont Wanna Fuss
104. Shirley Scott-Soul Shoutin
105. Ray Charles-Ive Got News For You
106. Fats Domino-Sick and Tired
107. Roscoe Shelton-Question
108. Grant Green-The Cantaloupe Woman
109. Prince La La-Baby Come Back To Me
110. Johnny Griffin-Wade In The Water
111. The Soul Sisters-I Cant Stand It
112. Inez & Charlie Foxx-I Fancy You
113. John Lee Hooker-This Is Hip
114. Lulu Reed & Freddie King-Its Easy Child
115. The Poets-She Blew A Good Thing
116. Billy Stewart-Summertime
117. The Ramsey Lewis Trio-Hang On Sloopy
118. Brother Jack McDuff-Hot Barbecue
119. Mark Murphy-Nothin But A Fool
120. Junior Parker-Last Night
121. Joe Hinton-How Long Can I Wait?
122. Jimmy McGriff-Lonely Avenue Pts 1&2
123. Eddie Holland-Leaving Here
124. Marvin Gaye-Try It Baby
125. Mongo Santamaria-Watermelon Man
126. Little Esther Phillips & Big Al Downing-Dont Miss Your Water
127. Googie Rene Combo-Mercy Mercy
128. Harold Betters-Do Anything You Wanna Do Pts 1&2
129. Shirley Scott-Yes Indeed Pts 1&2
130. Johnny Hammond Smith-Ebb Tide
131. Barbara Mason-Yes I’m ready
132. Lee Dorsey-Work Work Work
133. Oscar Brown Jr.-Brother Where Are You
134. Bobby Moore-Try My Love Again
135. Little Mac & The Boss Sounds-In The Midnight Hour
136. Roy Head-Treat Her Right
137. Jimmy Smith & His Big Band-A Walk On The Wild Side Pts 1&2
138. Russell Byrd-Hitch Hike Pts 1& 2
139. Freddie King-Now I’ve Got A Woman
140. Hank Jacobs-So Far Away
141. Steve Alaimo-Everyday I Have To Cry
142. Shirley & Lee-Let The Good Times Roll
143. Sonny Boy Williamson-Help Me
144. Don & Bob-Good Morning Little Schoolgirl
145. Willie Bobo-Fried Neck Bones And Some Home Fries
146. Bo Diddley-Crackin Up
147. Mongo Santamaria-Get The Money
148. Booker T & The MGs-Outrage
149. Alvin Cash & The Crawlers-Twine Time
150. Ernestine Anderson-Keep On Eye On Love
151. The Contours-Shake Sherry
152. The Daylighters-Oh Mom(Teach Me How To Uncle Wilie)
153. Lee Dorsey-Ride Your Pony
154. James Brown-Night Train
155. The Markeys-Last Night
156. Doris Troy-Just One Look
157. The Olympics-The Bounce
158. Cannonball Adderly-Tengo Tango
159. Lightnin Hopkins-You Got To Move Your Baby
160. Betty Everett-The Real Thing
161. The Marvelettes-Ill Keep Holding On
162. Little Johnny Taylor-You Win, I Lose
163. The Miracles-I Gotta Dance To Keep From Cryin
164. Solomon Burke-Down In The Valley
165. Esther Phillips-Release Me
166. Little Eva-The Locomotion
167. Benny Spellman-Fortune Teller
168. Muddy Waters-Messin With The Man
169. Etta James-Mellow Fellow
170. O.V. Wright-That’s How Strong My Love Is
171. Bobby Parker-Watch Your Step
172. Bobby Hendricks-Itchy Twitch Feeling
173. The Parliaments-Heart Trouble
174. Otis Redding-My Girl
175. Roscoe Shelton-Roll With The Punches
176. Ike & Tina Turner-I Cant Believe What You Say
177. The Spinners-Sweet Thing
178. Billy Stewart-Sugar and Spice
179. Christine Kitrell-Call His Name
180. Bobby Freeman-Cmon And Swin Pts 1&2
181. Lorez Alexander-Baltimore Oriole
182. The Exciters-Do Wah Diddy
183. Charlie & Inez Foxx-Mockingbird
184. Garnett Mimms-A Quiet Place
185. The Markeys-Bo Time
186. Freddie Scott-Hey Girl
187. Johnny Darrow-Dont Start Me Talking
188. Maxine Brown-Oh No Not My Baby
189. Jimmy Holiday-You Won’t Get Away
190. Rudy Lewis-Baby I Dig Love
191. Bobby Bland-Stormy Monday Blues
192. Bill Doggett-Lets Do the Continental
193. Ray Bryant-Slow Freight
194. Merle Spears-I Want To Know
195. Howlin Wolf-How Many More Years
196. Cal Tjader-Soul Sauce
197. Alvin Cash & the Registers-The Philly Freeze
198. Arthur Alexander-Soldier Of Love
199. Mike Pedicin-Burnt Toast And Black Coffee
200. Bessie Banks-Go Now

The Carnabetian Army Marches On!

THE CARNABY-Jump And Dance/My Love Will Stay Pye 7N,35272 1965

Many of you have different ideas of what "mod" music is. To many of us it's early/mid 60's soul/r&b/blues/ska sounds. To others it's '79 mod revival or ska. To me it's also been mid 60's British stuff played by cool dressed guys (and gals) who had one foot in the soul/r&b stream and another on the power pop/freakbeat side, all equal fans of both The Who and The Small Faces. "Jump And Dance" by The Carnaby completely exemplifies "mod" music for me in the mid 60's British sense. As seen above from an old music weekly clipping all five members actually all worked in various shops on Carnaby Street!

"Jump And Dance" is the epitome of 60's English cool. It's akin to the youthful mod/freakbeat cheekiness of The Game right down to it's Who-styled falsetto backing vocal harmonies. It's simplistic four or five chord Kinks brilliance is accented by a slightly distorted riff and it's military precision beat. It's a pure dance floor smash. The flip "My Love Will Stay" is another instance of the oft mentioned subject here on "Anorak Thing": the "what the hell is up with the B-side? Is it a different band?" category. I rest my case.

"Jump And Dance" has popped up on quite a few compilations over the years. Since it was released on Pye in the 60's everyone and their brother will tell you licensing stuff from Pye for reissue is easier than taking candy from a sleeping baby it's safe to assume it's on more than these few I'm about to suggest: Sequel's "Doin' The Mod Volume Two: Jump And Dance" and "Rubble 7: Pictures In The Sky" (as well as on the "Rubble One" box set).

Hear "Jump and Dance":

http://www.youtube.com/watch?v=R0b5xHZaqHw

Here are some excellent photos of the band courtesy of their 60's manager Robert Orbach with a five piece line-up which he has graciously allowed me to reuse here:

Freakbeat Defined Part Three

THE GAME-Gonna Get Me Someone/Gotta Wait U.K. Decca F.12469 1966

Oh boy we're into some good stuff here boys and girls. The Game, for those of you not in the know were an incredible U.K. 60's band who cut five very definitive singles in '65-'67(all of which are quite collectible). I was fortunate to get my mitts on the first two back in the day, this one was the second single (more on their Pye debut shortly). Both sides of this killer were produced by Kenny Lynch, a performer in his own right and loosely associated with The Small Faces early on in their Decca career. The band were all under the age of 18 and A-1 mods to the man (boy?).

"Gonna Get Me Someone" first blew my mind when it jumped off the grooves at me on Bam Caruso's "The Electric Crayon Set:Rubble Volume Five" LP compilation back in 1987. Easily on par with Carnaby's brilliant "Jump And Dance" it's a pure mod/pop/proto freakbeat raver from start to finish with delicious harmonies, wiggy little distorted solo et al.. I liked it so much I managed to once cajole my band mates in The Tea Club(who with my leaving became the serious musicians they always were and changed their name to The Insomniacs) to cover it in 1988. I can't recall if we ever played it live but we did record a version of it once. No bother, it's a classic. The flip, "Gotta Wait" is equally worthy, starting off with a clanging power chord-on-the -verge-of-feeding back intro(a Game trademark!) accented by some very nice Who-ish high noted backing vocals and some thundering drums.

Both sides are on the highly recommended Game CD/LP anthology "It's Shocking What They Call Us" AND "The Electric Crayon Set:Rubble Volume Five" which also forms a part of the essential "Rubble Volumes 1-10" CD box set. "Gotta Wait" also appears on Decca/Deram's "The Beat scene" Cd compilation.

"Gonna Get Me Someone":
http://www.youtube.com/watch?v=u76LrSamOas

"Gotta Wait":
http://www.youtube.com/watch?v=2DLcaqPJAZw

Freakbeat Defined Part Two

THE KOOBAS-Sweet Music/Face U.K. Columbia DB 7988 1966

In our installment (January 13, 2009) we'd previously covered The Kooba's "You'd Better Make Up Your Mind" Pye 45 from April 1966. By August of 1966 the band had moved from Pye onto EMI's Columbia imprint and released this two sided sizzler!

"Sweet Music" kicks off with a barrage from a distorted power chord struck out of nowhere then progresses into a mid tempo beat ballad that's moved along nicely by a powerful backup. The vocals are somewhat soulful, but unlike the previous 45 on Pye this one bears no relation to soul. It's pure freakbeat all the way baby!! On the the flipside we have "Face". Not a mod anthem as the title might expect but a powerful freakbeat stormer in the grand tradition of fellow Liverpudlian's Wimple Winch. It's full rave up stuff with a chunky beat, soulful lead vocals, high backing vocals and and a "bash 'em up" beat that'd do '65 vintage Who proud! Lyrically it's a soliloquy by a tough narcissistic nut: "my world's a selfish place, I only see one face, that's my face..., don't need no human race....."! Sadly the band would go horribly wrong on their next release by covering what I'm told is Gracie Field's track called "Sally". I bought a Columbia "A" label promo of it back in the day and it ranks as one of my worst purchases ever (alongside Fire's "Round The Gum Tree"). Luckily they redeemed themselves on the one after that (more on that in the future kids).

TRIVIA:The Danish release came in a groovy picture sleeve of a b&w pic of the band in all their mod finery and substituted the rocking "Face" for a previously unavailable elsewhere moody orchestrated tune called "Woe Is Love My Dear".

Now where to find them, ahhhh, there lies the problem. Both cuts were issued as bonus tracks on a CD release of the band's untitled sole 1968 LP back in the 90's. Subsequent CD reissues of said LP do not contain bonus tracks (criminal)!

"Sweet Music":

http://www.youtube.com/watch?v=CAVw9UxtHf0

See "Face" mimed on French TV:

https://youtu.be/Y22ea-ybS-w

Farlowe Freak Out!

CHRIS FARLOWE-Moanin'/What Have I Been Doing GERMANY Columbia C 23 562 1967

Back in the late 90's when Radio Free Europe went under the Princeton Record Exchange became the recipient of all it's 45's which were offered to the public (after a few select collector's had picked through them, missing among them, a 45 of "Crawdaddy Simone" by The Syndicats, more on that some other day). My pal Haim Kenig and I spent a day and a half on our hands and knees picking through literally several hundred white cardboard 45 boxes pouring over the singles. It's fair to say that 75% of them were pressings from the European continent, mostly Germany. I came upon this German Chris Farlowe picture sleeve 45 among them. I paid it little mind and hung the sleeve on my wall amongst my mosaic of 60's U.K./Euro p.s's. My jazz aficionado pal Jennie Wasserman brought it to my attention and asked if I liked it. I told her I didn't know, she assured me I'd love it. I pulled it down and played it, she was right (she hasn't steered me wrong yet).

The A-side of a full on 1967 version of the Art Blakey and the Jazz Messengers/Lambert, Hendricks and Ross number. Like most Immediate sessions it featured a host of top notch players, among them Jimmy Page, who adds the heavy fuzz guitar and possibly the sitar noodlings. Farlowe uses his skill at jazzy vocals to easily sing this in a way that works (which sadly was not always the case with a great deal of his covers on Immediate, especially some of the soul sides) and the back end is brought up by some nice brass.

"What Have I Been Doing" is a tepid ballad with some nifty little sitars and acoustic guitar in the back ground that make it interesting and brings Donovan's "Ferris Wheel" to mind but the tune itself sadly falls flat .

Both sides are available on Farlowe's CD set "Out Of Time:The Immediate Anthology".

Hear "Moanin':

https://youtu.be/pu_Ae83bIW4

Hear "What Have I Been Doing":

https://youtu.be/j2Yj4fZFwZc