Showing posts with label Chris Curtis. Show all posts
Showing posts with label Chris Curtis. Show all posts

Saturday, April 5, 2025

The Searchers-"Someday We're Gonna Love Again"

THE SEARCHERS-Someday We're Gonna Love Again/No-One Else Could Love Me U.S. Kapp 609 1964

Liverpool's Searchers hold the distinction of being the second most successful Liverpool 60's band in the United States in both chart and sales wise, with seven Top Forty hits all in the relatively brief window of just a year (1964-1965). 

"Someday We're Gonna Love Again" was their ninth U.S. single released in July of 1964 where it reached #34. It was simultaneously issued in England as Pye 15670. It was previously recorded by Barbara Lewis. Back in my younger years I bought an amazing Searchers 10" EP on PRT and this was one of my favorite tracks on it. The single would also be their last with bassist Tony Jackson, who left after being ousted following a ham fisted power struggle that saw him threaten to "out" drummer Chris Curtis in an attempt to gain leverage in leading the band (a position that was for all intents and purpose, held by Mike Pinder). 

For the uninitiated "Someday We're Gonna Love Again" is the epitome of "The Searcher's sound": jangly/chiming guitars, double tracked harmony vocals and a chirpy, uptempo feel to it all. It's catchy, and the infectious "do dit doo do doo do dit" chorus sticks pleasantly in one's brain. 













The flip side, "No One Else Could Love Me", was penned by drummer Chris Curtis . Sadly it's fairly unimpressive, and though it showcases the band's incredible harmonies the song itself is a fairly pedestrian beat ballad. 

Both sides are available on a host of Searchers collections that thanks to the likes of Castle Communications are NEVER out of print. Both sides are also available on streaming. 

Hear "Someday We're Gonna Love Again":

https://youtu.be/gUehZ7elW-U?si=ZtmCF1x9B7peLkuK

Hear "No One Else Could Love Me":

https://youtu.be/Jxy3NmE6Itc?si=pbZqaRJObDpBVwhK

Monday, April 22, 2024

Alma Cogan-"Snakes And Snails"

 

Alma Cogan-Snakes, Snails And Puppy Dog Tails/How Many Nights Denmark Columbia DB 7622 1965

British 60's female singer Alma Cogan was long associated with the old variety show/pop guard so this completely rockin' July 1965 release (U.K. Columbia DB 7652 where it was titled simply "Snakes And Snails" on stock releases) must have come as quite the surprise to the public and her fans! Written and produced by Searchers drummer Chris Curtis in one of his first sessions behind the producers chair, he put quite a mix together for the recording as told to author Spencer Leigh in a "Record Collector" interview a few years before his death:

"I got Bobby Ore on drums, John Paul Jones on bass, Jimmy Page, Vic Flick and Joe Moretti on guitars and they played out of their skins! She didn't realise that she'd have to sing over a heavy rock backing and she loved it. The backing vocalists were Dusty Springfield, Doris Troy, Rosetta Hightower from The Orlons and me. Boy did we have fun."

Though Curtis has been known to embellish the truth a bit at times regardless of who's really on the record it's an incredible piece of music (Dusty's voice can audibly be heard on the backing vocals). The musical backing is solid and incredibly powerful as is the vocal delivery. The lyrics are completely dark and twisted (imagine a more fatal ending to "Love Potion #9"). It is alleged that Keith Richards panned it in a music newspaper as "one of the worst records I've ever heard".  Regardless of whether that's true the record went nowhere and Alma succumbed to overran cancer the following year at just 34 years of age.



 


















The flip, "How Many Nights" is utterly disposable pop schlock, like something Brenda Lee or Lulu would have been forced to record. Next....

"Snakes And Snails" appeared ages ago on the Past & Present  "new Rubble" series CD "New Rubble Volume 5". 

Hear "Snakes, Snails And Puppydog Tails":

Friday, October 23, 2020

The Searchers "Take Me For What I'm Worth"














THE SEARCHERS-Take Me For What I'm Worth/Too Many Miles UK Pye 7N.15992 1965

We could fill and entire post talking about The Searchers and their "folk rock" sound, but I'm not going to do that. What we are going to discuss is their twelfth U.K. single, "Take Me For What I'm Worth". The band's drummer Chris Curtis was well known for his "ear" for potential hits to cover and he dug up this P.F. Sloan track for them to cover (he later suggested in an interview with journalist Spencer Leigh that it was "probably the first gay anthem"). Strangely enough Sloan's version appeared on a French E.P. one month before this version hit the streets in England in November of '65 (December in the US). 

"Take Me For What I'm Worth" ranks as one of The Searcher's strongest numbers in my estimation. It was their next to last visit to the British charts clocking in at #20 (the last would be their version of The Stone's "Take It Or Leave It" which would climb to #31). Kicking off with a mournful guitar lick and Mike Pender's equally downtrodden vocals it's powered by some amazing guitars and a powerful strumming that resembles the chording of The Jam's later hit "That's Entertainment". And of course there's P.F. Sloan's brilliant "don't get mixed up with me I'm bad news" lyrics delivered by Pender at times with an almost venomous lilt. 

The B-side "Too Many Miles"was penned by all four Searchers (Frank Allen, Chris Curtis, John McNally and Mike Pender respectively). It's a mellow number with this almost baroque feel that reminds me of something off The Move's first LP! Not their best track but certainly an interesting touch for 1965! The woodwind solo is clearly ahead of it's time.













Both sides are available on a host of Searchers collections that thanks to the likes of Castle Communications are NEVER out of print. I highly recommend their 1965 LP "Take Me For What I'm Worth" which contains both sides of this single. 

Hear "Take Me For What I'm Worth":

https://youtu.be/HyEJM5ZYB5Q

Hear "Too Many Miles":

https://youtu.be/o3CZHAehd6s

Monday, October 4, 2010

Mad Henry Goes Solo.......Chris Curtis "Aggravation"


CHRIS CURTIS-Aggravation/Have I Done Something Wrong U.K. Pye 7N.17132 1966

The story of ex-Searchers drummer/lead singer Chris Curtis is a sordid one that could easily make for a depressing but interesting bio pic like "Telstar" did for Joe Meek. Born Chris Crummy (I'm serious) he founded The Searchers and sang on quite a few of their numbers as well as penning several B-sides and LP tracks before being booted out in 1966 after a somewhat disastrous Australian tour with The Rolling Stones. Known to many on the pop scene for his gobbling handfuls of speed and his twitchy/uptight mannerisms, George Harrison is alleged to have nicknamed him "Mad Henry" .  Posted below is a famous clip of the band playing the "NME Pollwinners Concert" in '64 doing "What'd I Say" where he is completely, presumably out of his head on uppers.  Watch how his band mates, especially guitarist Mike Pender, stare incredulously at him:


 His hyperactivity (no doubt a by product of his massive speed consumption) and homosexuality were well known in circles at the time (both Bill Wyman and Dave Davies have documented some of his semi-seedy/druggy behavior in both of their books) and led to more than their share of problems in his career. It has been said that The Searchers original bassist Tony Jackson was given his walking papers after attempting to blackmail the band's manager for a bigger cut by threatening to "out" Curtis.  In his very last interview Curtis intimated that Jackson "threatened Tito Burns (the band's manager) that he'd reveal something about me to the public", a move which saw Jackson out and in came ex-Cliff Bennet's Rebel Rouser Frank Allen. The band finally had enough of his speed induced behavior and paranoia and he left in March 1966.

Curtis was nonetheless a very affable man who's pop contacts enabled him to cut a solo single in June of 1966.  "Aggravation" is an uptempo cut written by Joe South (more on him in a bit).  Curtis' ear for good American tunes often meant that he was the man behind many of the tracks The Searchers covered from both publishers demos (he was a champion of Jackie DeShannon) and cover versions of tracks like "Love Potion Number Nine".  He also authored and produced the amazing "Snakes Snails & Puppy Dog Tails" for Alma Cogan in 1965.  On "Aggravation" Curtis had the assistance of Jimmy Page, John Paul Jones and no doubt female vocal group The Breakaways.  It's a rather swinging number in sort of a Tom Jone's "discotheque" way with it's horns, female backing vocals and driving beat and is carried quite well by Curtis' strong voice.  It blew me away the first time I heard it on a PRT records 10" E.P. called "It Happened Then" in the mid 80's.  The flip side is a composition of his own called "Have I Done Something Wrong" (perhaps a thinly veiled message to his ex-band mates?).  It falls flat for me because it's sort of cod country, the production is amazing and it's got lots of nice touches but the song itself is just a "cry in your beer dirge".  For Scouser sh*tkickers only I'm afraid.

The single failed and the vinyl world heard no more of Chris Curtis (though versions of "Baby You Don't Have To Tell Me" and "I Who Have Nothing" from presumably the same session, have popped up on the "Rare Unearthed Merseybeat" series) but he continued producing records, among them "I Love how You Love Me" By Paul & Barry Ryan and a version of The Hollie's "Have You Ever Loved Somebody" by Paul & Barry (which went up against a version by his ex-bandmates).  By 1967 he had added L.S.D. to his drug diet and the stories only grew in outrageousness and number. Curtis of course will be forever credited (somewhat erroneously) as the man who formed Deep Purple albeit as an idea called "Roundabout".  Speaking to "Mojo" a few years ago organist Jon Lord attempted to clear up some of the misnomers on the subject.  He was never in the running for the drum spot, they weren't room mates (Curtis was dossing at Lord's apartment) but several facts, according to Lord ARE true: Curtis introduced Lord to the man (Tony Edwards) who would become Deep Purple's manager, he covered Lord's apartment in tin foil while Lord was off touring with The Flowerpot Men and he suggested a German based guitarist named Ritchie Blackmore to him.  There is conflicting stories about another Joe South recording called "Hush" which would give Deep Purple their first hit (in America anyway).  Curtis claimed in an interview with Spencer Leigh in "Record Collector" in 1998 that he played Lord the Joe South original when they were "roommate's", Lord maintains they'd heard Billy Joe Royal's version in lots of clubs/ballrooms where it was a big dance floor hit.  Who's to know?  Since Curtis did already record a Joe South track his story is plausible.

Curtis retired from music in 1969 and went to work for the Inland Revenue Service (the U.K.'s version of the I.R.S.) before retiring in 1988 and passing away in 2005.

To my knowledge neither side has seen any sort of CD reissue, though it is possible it's been slipped on a Searchers CD anthology as they shared the same label.


Hear "Aggravation":


Hear "Have I Done Something Wrong":