Join me on Saturday August 9th, 2025 at 9 P.M. at Otto's Shrunken Head, 538 East 14th Street, NYC, NY as I spin soul/r&b till 2 A.M. with Jennie Wasserman, Scott Belsky and Connie T Empress. No cover, 21+ only.
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THE UGLYS-Make Up My Mind/Ugly Blues U.S. ABC-Paramount 45-10707 1965 |
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THE TOGGERY FIVE-I'm Gonna Jump/Bye Bye Bird U.S. Tower 119 1965 |
The U.K. duo of Peter and Gordon (Peter Asher, brother of Macca's then girlfriend Jane, and Gordon Waller ) achieved minor success in the U.S. scoring eight Top 40 hits here out of their 18 U.S. single releases between April 1964 and June 1969 (including a #1 with the Lennon/McCartney penned "A World Without Love"). Though never as cool as Chad & Jeremy (Peter & Gordon didn't have any long players to equal C&D's "Of Cabbages And Kings" or "Ark" in my estimation) they managed quite a few hidden gems. I have chosen ten of them for your perusal. All releases are American unless noted. All scans c/o 45cat.com.
1. "Morning's Calling" B side Capitol 5740 1966
No doubt featuring the guitar stylings of Jimmy Page (check out those funky licks!) this mid tempo stormer graced the flip side of "Lady Godiva" (a #6 U.S. hit). It's rugged and bleak (lyrically and musically) and seems to be either about suicide or fleeing. Interestingly it came from the pen of Messrs Asher and Waller!
2. "The Jokers" A side Capitol 5919 1967
"The Jokers" was the title track from a1967 Oliver Reed/Michael Crawford film and was penned by Mike Leander (who arranged and conducted it) and Charles Mills. It's a cheeky upbeat number that starts with a very odd mix of Mellotron/tabla/harmonica giving it a cheezy but kitschy "Swinging London" feel to it.
3. "The Town I Live In" B side Capitol 5740 1966
This Geoff Stevens social observation piece first came to my attention via the storming version by Jackie Lee (the Irish female vocalist NOT the soul singer). Peter and Gordon's version preceded hers by a few months and though inferior to my ears it still merits listening. Delivered with an almost monotone feel that rises in key as the number progresses, it's a beautiful track with it's almost mariachi style horns and bitter lyrics eschewing life in a small town accented by a cool interlude with a churchy organ (arrangement courtesy of Geoff Love). It was featured as the rare B-side to "Lady Godiva" before being withdrawn and replaced with "Morning's Calling".
4. "London At Night" LP track "In London For Tea" Capitol T 2747 1967
This Cat Steven's penned upbeat number would not seem at all out of place on a Herman's Hermits album from '66-'67 with it's bouncy/happy feeling complete with full on strings, harpsichord, martial march drums, bongos etc while the lyrics espouse the joys of London and it's landmarks.
5. "The Exodus Song" LP track "Lady Godiva" Capitol T 2664 1967
This piece of propaganda written by Pat Boone and Ernest Gold for the film "Exodus" is lyrically repulsive ("this land is mine God gave this land to me...") but the duo's execution of it is nothing short of breathtaking both vocally AND musically (the latter featuring lush strings/woodwinds and brass). Their harmonies are spine tingling!
6. "Stranger With A Black Dove" U.K. LP track "Peter & Gordon" Columbia SX 6045 1966
This duo original features some positively strange lyrics (the title alone is peculiar!) that are no doubt Dylanesque but their harmonies and the incredible melody (backed by some incredible brass/strings that unfortunately is not credited on the LP!) are absolutely sublime and along with #1 above is one of my favorite P&G numbers.
7. "When The Black Of Your Eyes Turns To Grey" U.K. B-side Columbia DB DB 7729 1965
Tucked away on the flip of the absolutely dreadful "Baby I'm Yours" is this P&G original that's twinged with an almost country feel with some spacey guitar notes that would do '67 Syd Barrett proud. It more than certainly owes it's inspiration to "I Don't Want To Spoil The Party" but oh that positively freaky guitar solo!
8. "Wrong From The Start" U.K. LP track "Peter & Gordon" Columbia SX 6045 1966
This Asher/Waller original sounds like it would fit in nicely on a '66 Hollies album with it's tight harmonies and punchy delivery (with some funky go-go combo organ and Jimmy Page's distinct guitar licks.
9. "I Feel Like Going Out" U.K. A-side Columbia DB 8398 1968
This trippy 1968 45 was penned by Peter Asher who not only produced it but assisted Mike Vickers in the arrangement. It starts out with some backwards bits and horns and a funky bass line that sound like they've been lifted from a Cliff Bennett and The Rebel Rousers record. The harmonies are tight and despite them not seeming the least bit comfortable with psychedelic trappings the number works.
10. "Someone Ain't Right" U.K. LP track "Hurtin N' Lovin" Columbia 33SX 1761 1965
I first heard this track on a YouTube video someone made of a 10" acetate that Paul McCartney had pressed up for Xmas to give to a few friends (call it the original mix tape!). Backed by some bluesy harp blowing, twangy guitar (no doubt J.P.P.) and the duo's stellar harmonies it's a killer.
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TOMMY QUICKLY-The Wild Side Of Life/Forget The Other Guy U.S. Liberty 55753 1964 |
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THE PRETTY THINGS-Midnight To Six Man/Can't Stand The Pain U.S. Fontana F-1540 1966 |
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WAYNE FONTANA-24 Sycamore/From a Boy To A Man U.S. MGM K13762 1967 |
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Sheet music c/o 45cat.com |
Andrew Loog Oldham and Tony Calder's first release on their Immediate label was garnering the rights to launch the McCoys American July 1965 smash "Hang On Sloopy" in Britain which reached #5 in the British charts. The label would issue a further six singles, an LP and two 7" e.p.s by the band, but none matched this releases commercial success.
https://youtu.be/x8TBs-UZhEI?si=dbeJM5E6EKOZtZ-1
2. SMALL FACES-"Mad John" U.S. Immediate ZS7 5012 1968
Curiously only issued as a single in the U.S., Canada and Australia, this track taken from the Faces third long player "Ogden's Nut Gone Flake" and was a curious choice as a single as it tells the tale of a harmless old hermit shunned by society. It's interesting mix of lightweight folky acoustic guitars and phlanged piano. Come to think of it there's no drums on it! It's slightly longer than the LP version with an extended fade out and an extra verse of Marriott's Celtic "aye diddley aye dye" ad libs.
https://youtu.be/rthR-1Vy1Hs?si=N0Fdt7CrleHMy1ym
The duo of David Skinner and Andrew Rose are frequently cited as "Immediate's in house writers" but they were equally prolific as recording artists in their own right. This was their third and next to last single for the label that has an incredible "Pet Sounds" feel to it (in no small part thanks to Art Gleenslade's lush orchestration) making it my favorite release by them. Despite Oldham's belief in them (four singles and two LP's were issued by the label) their career was not a commercial success.
https://youtu.be/tpwG7uoy6kw?si=O-kGZNOn_rEmFyZf
4. P.P. ARNOLD-"(If You Think You're) Groovy" U.K.Immediate IM 061 1968
Ex-Ike and Tina Turner's Ikette Patricia "P.P" Arnold was brought to Immediate's attention by Mick Jagger and cut six singles and two LP's for the label in two short years. This was her fourth single for the label tailor written and produced for her by Small Face's Steve Marriott and Ronnie Lane with them and their band mates providing the musical backing. She powerfully handles this tale of contempt and getting over someone, made equally brilliant by the four guys backing her.
https://youtu.be/asYqqW67-zc?si=kWUTfUGrdaRam_o8
5. THE HILL-"Sylvie" U.S. Immediate ZS7-5016 1969
This U.S. only 45 was by Chris Farlowe's former backing group, The Thunderbirds and is an absolutely gob smackingly good slice of pop sike perfection with sweeping harmonies, harpsichord, orchestration and is pure pop perfection not too dissimilar to label mate Duncan Browne (see below).
https://youtu.be/aMHnoriHUVI?si=R2d06Y0QDjWn7fOC
6. DUNCAN BROWNE-"On The Bombsite" U.K. Immediate IM 070 1968
One of my favorite singles on the label was by the late Duncan Browne who cut just this single and the equally stunning LP "Give Me Take You". "On The Bombsite" is a perfectly honed piece of mellow baroque/choral pop with absolutely fascinating lyrics linking childhood simplicity and fantasy with the responsibilities of growing up.
https://youtu.be/pivzEg9tkRs?si=BHtniPirR8qk4aJA
7. HUMBLE PIE-"Wrist Job" U.K. Immediate IM 082 1969
Immediate launched Steve Marriott's new band Humble Pie with their smash hit "Natural Born Bugie" (#4 in the U.K. charts) in August of 1969. Tucked away on the flip is the positively mournful "Wrist Job" which in reality was an old Small Faces backing track "The Pig Trotters" full of Ian McLagan's swirling/heavy churchy Hammond and P.P. Arnold's backing vocals. I daresay it's the best thing the Pie ever did, even if it wasn't them....
https://youtu.be/hbYaYIukLp8?si=A-PT1oiFS-WuWfiJ
8. CHRIS FARLOWE AND THE THUNDERBIRDS-"Paper Man Fly In The Sky" U.K. Immediate IM 066 1968
Curiously this is the only instance where Chris Farlowe's backing band, The Thunderbirds, was credited on an Immediate release. It was on the B-side of his tenth single with the label, "The Last Goodbye". "Paperman..." reminds me a bit of his fellow r&b scene raver Zoot Money on his last Columbia 45 "I Really Learned How To Cry" in that it's still vocally soulful but the musical backing is sparse with just bass, drums, acoustic guitar and organ. Totally sublime. Production care of Manfred Mann's Mike D'Abo.
https://youtu.be/DSSUiykxKoY?si=3doHfiXq2ymWCQpF
9. THE MOCKINGBIRDS-"You Stole My Love" U.K. Immediate IM 015 1965
This single by Graham Gouldman's beat group The Mockingbirds was their sole Immediate release after a two single stint with Columbia (and then moving onto Decca for two more!). Produced by ex-Yardbird Paul Samwell Smith and Yardbirds manager Giorgio Gomelsky it reminds me a lot of Scotland's Poets with it's airy vocals and downtrodden feel, and check out Julie Driscoll on backing vocals adding an extra ethereal feel to the proceedings!
https://youtu.be/CZgG2_cBfNM?si=LiMO_i9pYFqBc2bs
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THE GROUNDHOGS-Shake It/Rock Me U.S. Interphon IN-7715 1965 |
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THE VIRGIN SLEEP-Secret/Comes A Time U.K. Deram DM 173 1968 |
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German Picture Sleeve c/o 45cat.com |
THE PRETTY THINGS-"Get The Picture" U.K. LP Fontana TL.5280 1965
The Pretty Things launched their second U.K. LP "Get The Picture" in December 1965. By then the band were firmly settling in to recording more of their own material instead of churning out beloved U.S. blues/r&b covers. The band were also in a state of flux in regards to their troublesome drummer Viv Prince, who by its release date, was summarily ejected. The sessions saw him play on some tracks, with the rest of the drumming on the album done by session man extraordinaire Bobby Graham and Fairies drummer Twink (who would later become a full time member in 1967). The band's sound was also in a state of metamorphosis with them moving slightly out of the raw British r&b harp wailin'/maracas shakin' sound and including more jangly, melodic numbers whilst also absorbing a lot of the harder edged "mod" sound (fuzz, feedback, Nicky Hopkin's ivory tinkling etc).
SIDE ONE
1. "You Don't Believe Me" (Page, Graham, May, Merrell)
2. "Buzz The Jerk" (May, Taylor)
3. "Get The Picture" (May, Taylor)
4. "Can't Stand The Pain" (May, Taylor, Graham)
5. "Rainin' In My Heart" (West, Moore)
6. "We'll Play House" (Aldo, Gandy, May, Taylor)
Side One opens with the jangly neo folk rock of "You Don't Believe Me", co-authored with Jimmy Page it sees the band doing something they'd never really done before: a beat ballad! Which works! Band original (all but one track one Side One are band originals) "Buzz The Jerk" is next with it's intro borrowed from Alvin Cash and The Crawler's "Twine Time" with Dick Taylor's blistering fuzz licks laying perfectly with John Stax murky bass line, easily the most "danceable" thing the band after crafted! "Get The Picture" also benefits from Dick's fuzz guitar riffs on top of a mid tempo track and perfectly illustrates the new direction the Pretties were headed in. "Can't Stand The Pain" (also utilized as the flip of their current single "Midnight To Six Man") is magical. Delivered in hushed tones with bluesy licks and a desolate feel it's accented with faint piano tinkling and a discordant vibrato. Slim Harpo's "Rainin' In My Heart" is next, slowing things down a bit and harking back to their blues interpreter phase that they were just shifting away from. "We'll Play House" with it's feedback intro and constant cow bell is an interesting mix of styles but all too often sounds like filler to me despite the cool mod power chords.
SIDE TWO
1. "You'll Never Do It Baby" (B. Smith, T. Fox)
2. "I Had A Dream"
3. "I Want Your Love" (J. Dee, J. Tarr)
4. "London Town" (Taylor)
5. "Cry To Me" (Russell)
Side Two kicks off with a track penned by fellow r&b devotees The Cops N' Robbers, adds a dash of the bluesy Pretties that's part Chuck Berry and part Prettie's '66, especially with the soulful pauses. "I Had A Dream" is uncredited on the original album and is a bluesy barroom ballad with call and response backing vocals beneath smoky guitar licks and ivory tinkling that call to mind Them. "I Want You Love" plumbs the call and response backing vocals again with some nifty chord changes and stops and occasional bursts of uptempo raving with blistering licks. British folk standard "London Town" (originally penned by Mick Taylor, NOT the Stones guy) fords into uncharted territory for the band with it's acoustic guitar, bongos and echo drenched blues licks, easily my favorite interpretation of this number!! Betty Harris' blues belter "Cry To Me" (previously covered by The Stones on their "Out Of Our Heads" album) is next, though I prefer the Stones reading, this isn't without charm thanks to the backing vocals and the moody backing. "Gonna Find A Substitute" closes the album, though uncredited it's actually an Ike Turner composition culled from Ike & Tina's rare as hell (U.K.) Sue E.P. "The Soul Of..". The Pretties make it their own with trademark gusto: thundering bass and blistering bluesy guitar before the number gradually fades out like they'd had enough!
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Dutch pressing Fontana 858 039 FPY 1967 |
1. DAVE BERRY-"Forever" U.K. Decca F 12651 1967
Dave Berry's career was much like that of Georgie Fame's (see below) in that by the mid 60's he was moving into M.O.R. territory and giving up raving beat/r&b tunes. This track attempts to grab some contemporary street cred with it's phased vocals and oscillating horns (arranged care of the great Keith Mansfield) it's of interest for historical note only as it's easy to hear why the Bee Gees never bothered with it. Next!
https://youtu.be/ll5RMQGvK20?si=-sSIQLHr_jTomosM
2. THE CYRKLE-"Turn Of The Century" U.S. Columbia 4-44366 1967
Short lived American two hit wonders The Cyrkle cut this cover from the Gibb's debut U.S. LP hot on the heel's of it's release as their sixth single. It's not bad but suffers from being pretty much a note for note carbon copy of the original, however well executed it may be in vocals, musical backing and production it's rather pointless.
https://youtu.be/PfOr0oDXUq8?si=A1cA8wodZwrEKfNX
3. GEORGIE FAME-"Words" U.K. United Screen Arts U.S.A. 2 1967
This mega rare 45 was from a version that Fame recorded for the 1967 film "The Mini Affair" (also released as "The Mini Mob") that he also apparently starred in! Coming from his post r&b career with CBS records when he was being pushed into a more M.O.R. area it actually works thanks to his vocal skills. Sadly I can't find it on YouTube!
4. ADAM FAITH-"Cowman Milk Your Cow" U.K Parlophone R5635 1967
This ladies and gents is the stuff of legends! Allegedly backed by The Roulettes AND Peter Green on guitar (according to the liner notes of an EMI Adam Faith collection), Adam Faith joined the ranks of Gibb brothers interpreters with this track that the Bee Gees never recorded themselves (and mores the pity because it's incredible). The Bee Gees are vocally present on the track but what's never been clarified is whether Faith and Co. were recording over a Bee Gee's demo (a common practice, see Aussie artist and Gibb brother's interpreter extraordinaire Ronnie Burns) or if they were at the session singing backing vocals. Reardless it's an incredible cool and even dark psych pop number!
https://youtu.be/VCUGCCarzi0?si=XM3U6goAHOrqtexZ
5. PAUL JONES-"And The Sun Will Shine" U.K. Columbia DB 8379 1968
Ex-Manfred's lead singer Paul Jones cut his version of of a track from The Bee Gee's "Horizontal" LP as his sixth single (backed by the INCREDIBLE "The Dog Presides") . Heavily orchestrated (care of Paul's ex bandmate Mike Vickers) and produced by Peter Asher of Peter & Gordon, Jone's impassioned delivery is incredible and mixed with the stellar musical backing it takes this mundane track and makes it shine !
https://youtu.be/lk_ejMYsEaU?si=WXUlT3LK1HWLoVkP
6. O'HARA'S PLAYBOYS-"Spicks And Specks" U.K. Fontana TF 793 1967
Curious U.K. mod/soul combo O'Hara's Playboys took the Gibb's first U.K. hit and ran with it as their second single. It doesn't differ much from the original but works because of their heavy duty horn section and cheezy combo organ (that adds a cool metronome feel to it).
https://youtu.be/3vdwkrY_H70?si=_vCzJFigDM2EPAWj
7. GERRY MARSDEN-"Gilbert Green" U.K. CBS 2946 1967
"Gilbert Green" would not sound at all out of place on The Bee Gee's LP "The Bee Gees 1st" nestled in between the likes of "Craise Finton Kirk Royal Academy Of Arts" or "Cucumber Castle". It suits Marsden's voice but in retrospect to his previous recordings one can't help but get the feeling that he sounds, well, uncomfortable? Regardless it's lavishly orchestrated and musically reminds me of one of the many unsung pop-psych acts on Decca or Deram in '67-68 (I can easily imagine it being a Toby Twirl or The World Of Oz song), which I guess is what makes it enjoyable for me.
https://youtu.be/F_KJOMktwik?si=uE827NqzBBI4sk7M
8. MIKE FURBER-"Secondhand People" Australia E.P. Kommotion KX-11, 253 1967
Tragically doomed British born Downunder teen idol Mike Furber cut this Gibb brothers track (along with their "Where Are You") for his third Australian E.P as well as both tracks gracing a single on Kommotion (KK-1602). It's an excellent mid tempo social commentary that's delivered with some excellent harmonies (I swear I hear Barry Gibb's voice during the chorus) that works REALLY well.
https://youtu.be/2Aix5AOA6j8?si=Gu-suWfoINOIh80z
9. ASTRUD GILBERTO-"Holiday" U.S. Verve VK-10651 1970
The Bee Gees of course, like The Beatles were embraced by the mainstream recording industry once they found fame which explains where this interesting version came from! Delivered in a very up tempo manner (with prerequisite Latin trappings) it's actually quite interesting with some trippy vocal interludes interspersed with jazzy breaks!
https://youtu.be/G4VLLEEYs1s?si=5ktCIs9Xcwtrvg02
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TWIGGY-When I Think Of You/Over And Over U.S. Capitol 5903 1967 |
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THE SEARCHERS-Someday We're Gonna Love Again/No-One Else Could Love Me U.S. Kapp 609 1964 |
"Someday We're Gonna Love Again" was their ninth U.S. single released in July of 1964 where it reached #34. It was simultaneously issued in England as Pye 15670. It was previously recorded by Barbara Lewis. Back in my younger years I bought an amazing Searchers 10" EP on PRT and this was one of my favorite tracks on it. The single would also be their last with bassist Tony Jackson, who left after being ousted following a ham fisted power struggle that saw him threaten to "out" drummer Chris Curtis in an attempt to gain leverage in leading the band (a position that was for all intents and purpose, held by Mike Pinder).
For the uninitiated "Someday We're Gonna Love Again" is the epitome of "The Searcher's sound": jangly/chiming guitars, double tracked harmony vocals and a chirpy, uptempo feel to it all. It's catchy, and the infectious "do dit doo do doo do dit" chorus sticks pleasantly in one's brain.
The flip side, "No One Else Could Love Me", was penned by drummer Chris Curtis . Sadly it's fairly unimpressive, and though it showcases the band's incredible harmonies the song itself is a fairly pedestrian beat ballad.
Both sides are available on a host of Searchers collections that thanks to the likes of Castle Communications are NEVER out of print. Both sides are also available on streaming.
Hear "Someday We're Gonna Love Again":
https://youtu.be/gUehZ7elW-U?si=ZtmCF1x9B7peLkuK
Hear "No One Else Could Love Me":