Showing posts sorted by relevance for query Tony Jackson. Sort by date Show all posts
Showing posts sorted by relevance for query Tony Jackson. Sort by date Show all posts

Thursday, October 9, 2008

TONY JACKSON-Portuguese E.P.















TONY JACKSON GROUP-Portuguese E.P. Estudio EEP 50013 1967
Though I rarely spend any money on 45’s/EPs/LP’s/CDs anymore owing to a tight budget (house, car, et al) there are a few select 7 inchers I’d still buy if they turned up. For many years the object of my desire has been a rare as hell 1967 Portuguese only pressing of a 7” E.P. by The Tony Jackson Group . For those not in the know Senhor Jackson was once the bassist/lead singer for a Liverpool combo called The Searchers . He left the band in 1964 and embarked on a career that left behind eight singles, four each on Pye and CBS respectively. Some credited to Tony Jackson and The Vibrations (best known by garage/60’s/freakbeat enthusiasts for their amped up/searing treatment of “Fortune Teller” which appeared in the late 80’s on a comp. LP called ”Trans World Punk Vol. 2” ), others to the Tony Jackson Group or some just simply as himself. Many of the latter CBS sides change hands for nothing less of $100 while the Pye sides tend to be slightly less.


The mother of all Tony Jackson collectibles is an E.P. recorded in Lisbon, Portugal in 1967 as “The Tony Jackson Group”. The band had decamped there in early 1967 for a change of scenery and to bring British beat to the locals (the Portuguese 60’s scene is all but devoid of a  hip musical “scene” unlike their nearby Spanish neighbors). Legend has it that one of the band’s members had a brother who’s Portuguese girlfriend had a father who ran a radio station and liked what he heard. At his urging, as the story goes, the stations own Estudio label pressed a four song E.P. of the quartet (Tony lead vocals, Ian Buisel on lead guitar, Dennis Thompson on bass and Paul Francis on drums) bashing through four covers of contemporary favorites. For those who haven’t heard it, the E.P. opens with a blinding raw version of Paul Revere & The Raiders “Just like Me” (the whole E.P. was included on a CD of all of Tony’s 7” releases in 1991 on the Strange Things label titled “Just Like Me”, a similar CD was issued by Castle years later called "Watch Your Step: The Complete Recordings 1964-1966"). Tony’s raw vocals and Buisel’s almost sloppy chord chopping make the original sound tepid (esp. after the over the top raga guitar solo). The real treat however, is the next track. Covers of songs by The Small Faces rarely better the original. After hearing the band’s version of “Understanding” you might disagree. Maybe it’s the freshness of it’s delivery, maybe it’s because by the time I heard this version I was sick of The Mighty Midgets, either way it’s a monster. The E.P. then kicks into an amphetamine version of Sam Cooke’s “Shake”, sung by someone other than Tony coming across as a cross between Jimmy Winston and Chris Farlowe . It’s arrangement is pretty standard, akin to that of late mark Animals . The last cut is an odd choice, given that the first three cuts are revved up/crashing stormers a cover of The Byrds folky JFK tribute “He Was A Friend Of Mine” seems, well, weird. The E.P. was pressed as Estudio EEP 50013 and released in the summer of 1967 where it vanished without a trace until resurrected twenty four years later by the folks at the short lived Strange Things Are Happening label(an offshoot of the famous Bam Caruso label). The cuts have since cropped up on a more recent Castle Records CD containing the exact same track listing as the Strange Things release titled "Watch Your Step:The Tony Jackson Group Anthology". Since then it has been something of a unicorn among record collectors. I know of no one who owns one, let alone anyone who has ever seen a copy. Through my research I have been able to ascertain that the Estudio label was primarily an output for contemporary non-rock n’ roll Portuguese artists and fado music (a centuries old uniquely Portuguese style centering on impassioned vocals with lyrics about love, both the loss of or the yearning for, accompanied only by acoustic guitar and a guitarra, an eight, ten or twelve stringed mandolin sized instrument).

After becoming engaged to a woman who spoke Portuguese and making a trip to Lisbon I began to hatch my plans for securing a copy of the fabled E.P. A five year old “Time Out: Portugal” book listed a vinyl only shop called Discoleccao in Lisbon. Of course it had moved twice since the book’s publishing and thanks to some determined detective work on the part of my fiancée/translator we set off to find the shop in a stream of events that was like a cross between a police investigation and “Raiders Of The Lost Ark”. Nestled away in the Bairro Alto neighborhood of Lisbon, finding and getting to the shop was no small feat. The streets and alleyways of Bairro Alto are cobblestone and rise and wind without warning to inclines that require momentary pauses for catching one’s breath and getting one’s bearing (each block within a street has it’s own name, though the street address does not always indicate this). At last we found it, atop a hill of the Calcada do Duque Street. CLOSED till January 4th the sign on the door said. But windows plastered with a Euro Scott Walker 45 sleeve, a French Animals EP sleeve, a Max Roach LP, a Portuguese Mingus gig poster etc told me I might yet be back in luck. A week later we returned on January 4th. The doors were opened and in we walked, the air was loud with the excited near shouts between a group of Portuguese record nerds who looked to be in their late 50’s/early 60’s. I was making a beeline to the stacks of 7” records when in that instant the group of gentlemen got even louder, they were yelling, not in an angry way, but in the jovial/excited manner. I understood little because my Portuguese is limited to greetings and exchanging pleasantries, but two words were being repeated over and over by all and sundry: TONY JACKSON. I sent my fiancée over to eavesdrop. It would seem they were all in disagreement on how much the fabled EP was worth. One said the internet had it listed as this, another offered his theory, no one could agree on it’s value. Obviously I would not be finding a copy in this store, or anywhere in Lisbon after a sheepish inquiry through my interpreter with the stores friendly owner who assured us “it was VERY VERY rare”. Contented I left with a French Georgie Fame EP, a UK LP by him, a Dutch 60’s Who LP and a Brazilian Gilberto Gil 45.When I returned to the States I did some online searching and found the the EP had been offered on E-bay a short time ago in VG condition with a minimum bid of 999 GBP sterling. There were no takers. Further digging revealed that in 2004 a Belgian collector parted with a Mint copy (with a VG+ sleeve) on E-Bay for a final sale of $2,600.00 USD!I might still find a copy, maybe in some milk crate of used records and books on some back street in Lisbon or in some sleepy little Portuguese village within a pile of dusty/destroyed fado records. But I’m not holding my breath……….

For the curious traveler to Lisbon, Discoleccao offers a small but diverse collection of used LPs/45’s/EP’s from all over the world (especially Portugal and Brazil). There is fair share of Euro/Brit 60’s beat/psych/pop, most of which are in colorful sleeves. The owner is well aware of his merchandise and it’s value, but his prices are quite fair. Discoleccao, Calacada do Duque, 53-A, 1200-156, Lisboa, Portugal Tel:213 471 486

Note: In 1991 Tony Jackson put the Tony Jackson Group back together briefly with aid of drummer Paul Francis billing themselves as "Tony Jackson & The Vibrations" to capitalize on the Strange Things CD anthology comp, but this was short lived. Tony's bouts with alcoholism left him unable to walk without the aid of a cane or able to play bass. He served eighteen months in prison in 1997 for threatening a woman with a pellet pistol and sadly passed away on August 18, 2003 from cirrhosis of the liver.

*****This piece was originally posted on Uppers.org on January 7, 2006*****

Monday, June 1, 2026

More U.K. Obscurities On U.S. Labels: Tony Jackson And The Vibrations "Stage Door"

 

TONY JACKSON AND THE VIBRATIONS-Stage Door/That's What I Want U.S. Red Bird RB-10-038 1965
We profiled Liverpudlian singer/bassist (and ex-Searchers member) Tony Jackson's first (and previous) American 45 in an earlier post here.

"Stage Door" was Tony's fourth and final U.K. single for the Pye label (7N 15876 July 1965) before moving to CBS for four more singles. It was his second and final American single, launched in September 1965.

"Stage Door" (to my surprise) was a Goffin/King composition (check out Carole's demo) and rates heavy with me in the "beat/ballad" genre. It was also released in July 1965 on Reprise in the U.S and U.K. by a guy named Peter James (and produced by none other than Andrew Loog Oldham). But forget about that, the Tony Jackson one is leagues above.....I think what grabs me is the arrangement and production, not to mention Tony's delivery. The lyrics are incredible "Your dreams of fame have all come true and now I'm just a no one next to you" and the SEARING "to your your friend's I'm your chauffeur to the world I'm just a loafer living off a star..". The subtle backing of bass, drums and keyboards (piano and organ) add a rather simplistic feel that leaves it uncluttered.


The flip side, "That's What I Want" was penned by the Brit songwriting duo of John Carter and Ken Lewis. The number had previously been released by The Limeys, The Liverpool Five and The Marauders but this version to my ears is THE definitive version.  Again it's a beat ballad delivered mid tempo, very moody, very subtle and wonderfully executed. It's easily one of Tony's best releases. 

Both sides have been collected in a number of places: two different Tony Jackson retrospective CD's "Just Like Me" (Bam Caruso) and "Watch Your Step" (Castle) as well as appearing on a few different Searchers compilations and both tracks are available via streaming.

Hear "Stage Door":


Hear "That's What I Want":

Sunday, May 3, 2026

More U.K. Obscurities On U.S. Labels: Tony Jackson With The Vibrations "You Beat Me To The Punch"

 

TONY JACKSON with THE VIBRATIONS-You Beat Me To The Punch/This Little Girl Of Mine U.S. Kapp K-639 1965

Ex-Searchers bassist/vocalist Tony Jackson had just two of his eight British singles released here. Today's item in question was the first American release of his. It was his second British single originally released as Pye 7N 15745 in December 1964 and was issued here the following month. 

"You Beat Me To The Punch" was originally cut by Mary Wells in 1962 on Motown. Curiously Tony's previous and debut British single "Bye Bye Baby" (U.K. Pye 7N 15685) was also a Mary Well tune (her debut single in fact)! Tony's version curiously sounds like what you would expect a Searchers cover of it to sound like with it's distinctly "Needles and Pins" style 12 string (acoustic) guitar intro and the decidedly Merseybeat style call and response harmonies. That said it's a pretty amazing reading of the track and it was unfortunate that the number did not gain any traction on either side of the Atlantic! (There is footage of them miming it on "Ready! Steady! Go!" viewable here).



The flip side is a reading of a Ray Charles composition called "This Little Girl Of Mine" and is a mixed bag for me. Musically it starts out really rockin' and raw but the production is absolutely dreadful, and the vocals are extremely bland and antiseptic. They're so high in the mix that they actually overpower the incredible gritty guitar work and combo organ (the song's strongest points in my estimation). 

Both sides have been collected in a number of places: two different Tony Jackson retrospective CD's "Just Like Me" (Bam Caruso) and "Watch Your Step" (Castle) as well as appearing on a few different Searchers compilations and both tracks are available via streaming. 

 Hear "You Beat Me To The Punch":


Hear "This Little Of Mine":

Saturday, December 8, 2018

10 More Groovy (Or Not So Groovy) Small Faces Covers

Scan c/o 45cat.com






















1. THE BIRDS (Australia)-"Rene" Australia 45 Clarion MCK-3474 1970
Two former member's of a late era line up of Ron Wood's band The Birds (and were also allegedly members of The Clockwork Oranges) relocated to Australia where through guile or outright chicanery they started a band there called The Birds who cut three singles for the Clarion label (all of which were covers). Their second 45 was a limp version of Marmalade's "I See The Rain" backed with this reading of "Rene" from "Ogden's Nut Gone Flake". It's not very interesting because it sounds like a drunken sing-along, in every sense of the word complete with someone playing spoons, kazoo (or is it a comb and paper), jars and vocals that sounds like one of those records a footie team made in the 60's. Sadly there's no version of YouTube so you'll have to take my word for it (I heard it on a CD EP of the bands three Clarion singles).

2. TONY JACKSON GROUP-"Understanding" Portugal E.P. Estudio EEP 50 013 1967
Ex-Searcher Tony Jackson cut this raw version of "Understanding" for a rare as hell 1967 Portuguese E.P. on the primarily fado label Estudio. I daresay there hasn't been such an amazing Small Faces cover out there as this one! Interestingly the band's Dennis Thompson had played with Steve Marriott in his first band The Frantics.

https://youtu.be/krX7wwerdxE

Scan c/o 45cat.com






















3. RONNIE BIRD-"Hey Girl" French E.P. track Phillips 437.239 BE 1966
Gallic singer Ronnie Bird's weak French language version of the band's fourth single is fairly uninspired save the musical backing which at one point kicks into a Who inspired barrage of slashing guitar, thrashing drums and some Nicky Hopkin's style piano. Not the best but worth a listen.

https://youtu.be/1sUEQoN18aU

4. TEDDY ROBIN & THE PLAYBOYS-"All Or Nothing" LP track Hong Kong "Not All Lies" Diamond SLP-1030 1967
Hong Kong's Teddy Robin & The Playboys included this competent note for note cover of the band's first #1 as a track on their debut LP. It's not at all un-listenable and reminds me of a lo-fi American garage pop reading.

https://youtu.be/7wEaEWR8oWg

5. TWICE AS MUCH-"Green Circles" UK LP track "That's All" Immediate IMCP 013 1968
Immediate record duo and in house songwriters David Skinner and Andrew Rose tackled the trippy 2nd LP Faces tune on their 2nd and final appropriately titled LP "That's All". Wrapped in beautiful orchestration it distances itself from the psychedelic whimsy of the original and transforms itself into a pop-psych masterpiece.

https://youtu.be/PVmA9b4HmE4

Scan c/o 45cat.com






















6. PUSSYCAT-"Ce N'est Pas Une Vie (Sha La La La Lee)" French E.P track  RCA Victor 86.161 1966
Gallic ye-ye groover Pussy Cat cut this French language version of the band's third single on her first E.P. in 1966 alongside covers of tunes by The Moody Blues and The Swinging Blue Jeans. Not too shabby and certainly above Ronnie Bird's piece of merde cover of "Hey Girl".

https://youtu.be/64NOqGQODC4

7. THE BARRON KNIGHTS-"An Olympic Record (Track 1)" UK 45 Columbia DB 8485 1968
The U.K.'s comedy beat group The Barron Knight's took their usual knack for re-writing tracks for laughs by changing the lyrics to "Lazy Sunday" to a tune about the Olympics. It's only about a quarter of the song itself as their numbers are usually just medley's of a variety of pop standards of the day given new words, and this ones no different.

https://youtu.be/9cV29VjtVTQ

8. THE LITTER-"Whatcha Gonna Do About It" US LP track "Distortions" Warick 671 1967
Also cut by Florida's The Evil the same year (on Living Legend 108 and a few months later as Capitol 2038) Twin Cities, Minnesota garage legends The Litter included this raw reading of the SF's debut 45 on their album "Distortions".

https://youtu.be/UV70UbSCRAg

Scan c/o 45cat.com






















9. THE STILLROVEN-"Have You Ever Seen Me" US 45 August 102 1968
Minnesota's Stillroven were some of the United States most devoted Anglophiles and followed their 7 inch of a mondo obscure Simon Dupree and The Big Sound cover "Little Picture Playhouse" (August 101 in November 1967) with this track found on the SF's debut US LP "There Are But Four Small Faces". Vocally it's a bit weak as it's out of the lead singer's key but the backing is tight and the enthusiasm is 110%.

https://youtu.be/N4ehduxMgY4

10. GEORGE MARTIN-"Itchycoo Park" UK LP track "British Maid" United Artists SULP 1196 1968
Alongside covers of tunes by The Beatles, Traffic and Procol Harum Sir George and his "orchestra" cut a cover of the Small Faces hit for his UK LP "British Maid" (titled "London By George" in the US). It's slightly muzaky but the surprising organ and regal woodwinds among the strings and horns add a "Swinging London" feel to the groovy kitsch going's on here. Unfortunately there's no video on YouTube.

Tuesday, September 14, 2010

Because I'm In Love With Rock'n'Roll

"I'm not in love with television
I'm not in love with the radio
I'm not in love with the Kings Road
Because I'm in love with Cathy McGowan"

-"Ready Steady Go" by Generation X



READY ! STEADY ! GO!

Without going into an insane history of one of the coolest British 60's music TV shows (well after "The Beat Room") to ever air let's suffice to say that Great Britain's "Ready Steady Go" was legendary. Sadly the extremely cheap I.T.V. "wiped" most of the tapes of the episodes to re-use them (how cheap!). Very few episodes exist. The remaining ones are in the legal possession of Dave Clark (of The Dave Clark Five fame). Most of these appeared on VHS tapes in the 80's and in 1989 in the U.S. the Disney Channel broadcast every scrap of footage in Clark's collection (including the all of Motown episode and the Otis Redding episode). Over the past few years select dodgy quality footage has surfaced on YouTube of other acts that were not seen , The McKinleys and Tony Jackson & the Vibrations to name but a few (see below). Everyone has seen the brilliant still photos of the likes of The Zombies, The Action, The Kinks, David Bowie, The Yardbirds etc on the show. Sadly no footage of these acts has as of yet surfaced. I've compiled a list of bands who made known appearances on the show but that have not had any legally released footage. This has been verified by either photographic proof or listings in musical weeklies from the era announcing their appearance. It is in no particular order:

The Kinks, The Small Faces, The McKinleys, Sylvie Vartan, Tony Jackson & The Vibrations, The Action, The Sorrows, David Bowie and The Buzz, Sandie Shaw, Paul & Barry Ryan, The Walker Brothers, Francoise Hardy, The Graham Bond Organization, Cream, The Jimi Hendrix Experience, Manfred Mann, The Yardbirds, Wayne Fontana & The Mindbenders, The Downliners Sect,  Johnny Kidd & the Pirates, Sonny & Cher, The Young Rascals, Marianne Faithful, The Big Three, Dave Dee, Dozy, Beaky Mick & Tich, The Move, The Troggs, The Zombies, The Hollies, The Dave Clark Five, The Roulettes, The Merseybeats, Donovan, Herman's Hermits, Jimmy James & The Vagabonds, The Creation, Dave Berry, The Pretty Things, Peter & Gordon, Billy J. Kramer & the Dakotas, The Zephyrs, Cliff Bennett & the Rebel Rousers, The Bo Street Runners, Rod Stewart, The Alan Price Set, Chris Farlowe & The Thunderbirds, The Preachers, Herbie Goins & The Nightimers, Neil Christian, Rick & Sandy,

The Creation on "R.S.G." 1966

Marc Bolan, The Shotgun Express, The Merseys, Paul Jones, Brian Poole & the Tremeloes, Cat Stevens, The Mindbenders, Spencer Davis Group, The Game, Jonathan King, Jackie Trent, Paddy, Klaus & Gibson, Ike & Tina Turner, The Lovin' Spoonful, The Plebs, The Jynx, A Band of Angels, Los Bravos, The Fortunes, Lee Dorsey, Jimmy Reed, Chuck Berry, The Redcaps, The Artwoods, James Brown, The Herd, The Tremeloes, The Untamed, Zoot Money & The Big Roll Band, The Thoughts, The Knack,  Booker T. & The M.G.'s,  Unit 4 + 2, The Applejacks, The Honeycombs, The Uglys, John Mayall & The Bluesbreakers, The Mockingbirds, The Falling Leaves, Sam & Dave, Petula Clark, The Riot Squad, Inez & Charlie Fox, John Lee Hooker, Wayne Fontana, The Easybeats.

Monday, October 4, 2010

Mad Henry Goes Solo.......Chris Curtis "Aggravation"


CHRIS CURTIS-Aggravation/Have I Done Something Wrong U.K. Pye 7N.17132 1966

The story of ex-Searchers drummer/lead singer Chris Curtis is a sordid one that could easily make for a depressing but interesting bio pic like "Telstar" did for Joe Meek. Born Chris Crummy (I'm serious) he founded The Searchers and sang on quite a few of their numbers as well as penning several B-sides and LP tracks before being booted out in 1966 after a somewhat disastrous Australian tour with The Rolling Stones. Known to many on the pop scene for his gobbling handfuls of speed and his twitchy/uptight mannerisms, George Harrison is alleged to have nicknamed him "Mad Henry" .  Posted below is a famous clip of the band playing the "NME Pollwinners Concert" in '64 doing "What'd I Say" where he is completely, presumably out of his head on uppers.  Watch how his band mates, especially guitarist Mike Pender, stare incredulously at him:


 His hyperactivity (no doubt a by product of his massive speed consumption) and homosexuality were well known in circles at the time (both Bill Wyman and Dave Davies have documented some of his semi-seedy/druggy behavior in both of their books) and led to more than their share of problems in his career. It has been said that The Searchers original bassist Tony Jackson was given his walking papers after attempting to blackmail the band's manager for a bigger cut by threatening to "out" Curtis.  In his very last interview Curtis intimated that Jackson "threatened Tito Burns (the band's manager) that he'd reveal something about me to the public", a move which saw Jackson out and in came ex-Cliff Bennet's Rebel Rouser Frank Allen. The band finally had enough of his speed induced behavior and paranoia and he left in March 1966.

Curtis was nonetheless a very affable man who's pop contacts enabled him to cut a solo single in June of 1966.  "Aggravation" is an uptempo cut written by Joe South (more on him in a bit).  Curtis' ear for good American tunes often meant that he was the man behind many of the tracks The Searchers covered from both publishers demos (he was a champion of Jackie DeShannon) and cover versions of tracks like "Love Potion Number Nine".  He also authored and produced the amazing "Snakes Snails & Puppy Dog Tails" for Alma Cogan in 1965.  On "Aggravation" Curtis had the assistance of Jimmy Page, John Paul Jones and no doubt female vocal group The Breakaways.  It's a rather swinging number in sort of a Tom Jone's "discotheque" way with it's horns, female backing vocals and driving beat and is carried quite well by Curtis' strong voice.  It blew me away the first time I heard it on a PRT records 10" E.P. called "It Happened Then" in the mid 80's.  The flip side is a composition of his own called "Have I Done Something Wrong" (perhaps a thinly veiled message to his ex-band mates?).  It falls flat for me because it's sort of cod country, the production is amazing and it's got lots of nice touches but the song itself is just a "cry in your beer dirge".  For Scouser sh*tkickers only I'm afraid.

The single failed and the vinyl world heard no more of Chris Curtis (though versions of "Baby You Don't Have To Tell Me" and "I Who Have Nothing" from presumably the same session, have popped up on the "Rare Unearthed Merseybeat" series) but he continued producing records, among them "I Love how You Love Me" By Paul & Barry Ryan and a version of The Hollie's "Have You Ever Loved Somebody" by Paul & Barry (which went up against a version by his ex-bandmates).  By 1967 he had added L.S.D. to his drug diet and the stories only grew in outrageousness and number. Curtis of course will be forever credited (somewhat erroneously) as the man who formed Deep Purple albeit as an idea called "Roundabout".  Speaking to "Mojo" a few years ago organist Jon Lord attempted to clear up some of the misnomers on the subject.  He was never in the running for the drum spot, they weren't room mates (Curtis was dossing at Lord's apartment) but several facts, according to Lord ARE true: Curtis introduced Lord to the man (Tony Edwards) who would become Deep Purple's manager, he covered Lord's apartment in tin foil while Lord was off touring with The Flowerpot Men and he suggested a German based guitarist named Ritchie Blackmore to him.  There is conflicting stories about another Joe South recording called "Hush" which would give Deep Purple their first hit (in America anyway).  Curtis claimed in an interview with Spencer Leigh in "Record Collector" in 1998 that he played Lord the Joe South original when they were "roommate's", Lord maintains they'd heard Billy Joe Royal's version in lots of clubs/ballrooms where it was a big dance floor hit.  Who's to know?  Since Curtis did already record a Joe South track his story is plausible.

Curtis retired from music in 1969 and went to work for the Inland Revenue Service (the U.K.'s version of the I.R.S.) before retiring in 1988 and passing away in 2005.

To my knowledge neither side has seen any sort of CD reissue, though it is possible it's been slipped on a Searchers CD anthology as they shared the same label.


Hear "Aggravation":


Hear "Have I Done Something Wrong":


Thursday, January 20, 2011

This Is Soul: Anorak Thing's Top 200 60's Soul Tracks


1. CLIFF NOBLES & Co.-Love Is Getting Stronger
2. DEAN PARRISH-I'm On My Way
3. THELMA HOUSTON-Jumping Jack Flash
4. BUNNY SIGLER-Girl Don't Make Me Wait
5. THE SPINNERS-I'll Always Love You
6. THE VONTASTICS-Day Tripper
7. TONY CLARKE-Ain't Love Good, Ain't Love Proud
8. LITTLE ANTHONY & THE IMPERIALS-Gonna Fix You Good
9. DON COVAY-Mercy, Mercy
10. BARBARA ACKLIN-Am I The Same Girl
11. HOWARD TATE-Night Owl
12. SHIRLEY ELLIS-Soul Time
13. SAMMY AMBROSE-This Diamond Ring
14. CARLA THOMAS-Baby
15. LEE DORSEY-Work, Work, Work
16. FELICE TAYLOR-I Can Feel Your Love
17. SUNNY CARRINGTON-The Girl Every Guy Should Know
18. THE FOUR TOPS-Sorry Is A Sorry Word
19. BRETON WOOD-Gimme Little Sign
20. MAXINE BROWN-One In A Million
21. HOMER BANKS-60 Minutes Of Your Love
22. BOB & EARL-The Cissy
23. DEAN PARRISH-Determination
24. JOHNNY JONES & THE KING CASUALS-Purple Haze
25. THE MARVELETES-Danger Heartbreak Dead Ahead
26. WILLIE TEE-Walkin' Up A One Way Street
27. SOLOMON BURKE-Everybody Needs Somebody To Love
28. MARLENA SHAW-Let's Wade In The Water
29. IKE & TINA TURNER-Tell Her I'm Not Home
30. WILLIE MITCHELL-Everything Is Gonna Be Alright
31. THE FLIRTATIONS-Nothing But A Heartache
32. SAMMY AMBROSE-Welcome To Dreamsville
33. JOHNNY WYATT-Everybody's Going Mod
34. THE EMPERORS-Karate
35. BOBBY SHEEN-Dr. Love
36. EDDIE FLOYD-Big Bird
37. BOB & EARL-Dancin' Everywhere
38. EDWIN STARR-Agent Double-O-Soul
39. NICKIE LEE-The 10 Commandments
40. ROGER & THE GYPSIES-Pass The Hatchet
41. BILLY WATKINS-The Ice-Man
42. THE VELVELETTES-He Was Really Saying Something
43. IKE & TINA TURNER-Two Is A Couple
44. CHUCK JACKSON-Hand It Over
45. RODDY JOY-If There's Anything Else You Want
46. WILLIE MITCHELL-That Driving Beat
47. THE OLYMPICS-I'll Do A Little Bit More
48. J.J. JACKSON-But It's Alright
49. FATHER'S ANGELS-Bok To Bach
50. JACKIE PAINE-The Go Go Train
51. SMOKEY ROBINSON & THE MIRACLES-(Come Round Here) I'm The One you Need
52. MAMIE GALORE-Special Agent 34-24-38
53. THE DELLS-Let's Wear It On Our Face
54. BENNY SPELLMAN-I Feel Good
55. BILLY PRESTON-I Am Coming Through
56. THE IMPRESSIONS-The Young Mod's Forgotten Story
57. TERRY CALLIER-Look At Me Now
58. RICHIE BARRETT-Some Other Guy
59. DON GARDENER-My Baby Likes To Boogaloo
60. JEANNE & THE DARLINGS-Hang Me Now
61. CHRIS CLARK-Love's Gone Bad
62. INEZ & CHARLIE FOXX-Tightrope
63. LITTLE CARL CARLTON-Competition Ain't Nothing
64. THE O'JAYS-I'll Never Forget You
65. BOBBY WELLS-Be's That Way Sometimes
66. BARBARA RANDOLPH-I Got A Feeling
67. EDWIN STARR-Stop Her On Sight
68. THE UN'LUVD-Ain't Gonna Do You No Harm
69. THE FOUR TOPS-Wake Me, Shake Me, When It's Over
70. SMOKEY ROBINSON & THE MIRACLES-Come Spy With Me
71. JAMES & BOBBY PURIFY-Shake A Tail Feather
72. LUTHER INGRAM-If It's All The Same To You
73. DARRELL BANKS-Open The Door To Your Heart
74. THE TEMPTATIONS-(I Know) I'm Losing You
75. THE MARVELETTES-I'll Keep Holding On
76. BILL PINKEY-Do The Jerk
77. BOBBY PARIS-Personally
78. ARETHA FRANKLIN-Soulville
79. THE PARLIAMENTS-Look At What I Almost Missed
80. THE DELLS-Run For Cover
81. BUTCH BAKER-Working At The Go-Go
82. BETTY EVERETT-The Real Thing
83. THE VALENTINOS-It's All Over Now
84. CHUBBY CHECKER-Karate Monkey
85. MAMIE GALORE-It Ain't Necessary
86. JEANNE & THE DARLINGS-Soul Girl
87. BILLY HARNER-What About The Music
88. MAXINE BROWN-I Want A Guarantee
89. JAMES BROWN-I've Got Money
90. CHUCK JACKSON-Candy
91. CARL DOUGLAS-Serving A Sentence Of Life
92. SMOKEY ROBINSON & THE MIRACLES-I Gotta Dance To Keep From Crying
93. DEREK MARTIN-Daddy Rolling Stone
94. ETTA JAMES-Mellow Fellow
95. REX GARVIN & THE MIGHTY CRAVERS-I Gotta Go Now
96. BARBARA MCNAIR-Baby A Go-Go
97. HOMER BANKS-A Lot Of Love
98. BOBBY PARIS-I Walked Away
99. LONNIE YOUNGBLOOD-Roll With The Punches
100. THE PARLIAMENTS-Don't Be Sore At Me
101. THE IMPRESSIONS-I Can't Satisfy
102. MARVIN GAYE-No Good Without You
103. THE CONTOURS-Just A Little Misunderstanding
104. MARVIN GAYE-Can I Get A Witness
105. LITTLE HANK-Mr. Bang Bang Man
106. BRENTON WOOD-Trouble
107. BOBBY MOORE & THE RHYTHM ACES-Searching For My Love
108. BILLY HARNER-Homicide Dresser
109. STEVIE WONDER-Music Talk
110. GLADYS KNIGHT & THE PIPS-Stop And Get A Hold Of Myself
111. J.J. JACKSON-Four Walls
112. THE TEMPTATIONS-Girl (Why You Wanna Make Me Blue)
113. SUGAR PIE DESANTO-Go-Go power
114. PATTI AUSTIN-Big Mouth
115. DYKE & THE BLAZERS-We Got More Soul
116. CLYDE MCPHATTER-Baby You Got It
117. WILLIE MITCHELL-30-60-90
118. THE VOLCANOES-(It's Against) The Laws Of Love
119. TONY CLARKE-The Entertainer
120. THE LEWIS SISTERS-Don't Make Me Live Without Your Love
121. THE JUST BROTHERS-Sliced Tomatoes
122. THE IMPRESSIONS-You've Been Cheating
123. ELDRIDGE HOLMES-Hump Back
124. FRED HUGHES-I Can't Make It Without You
125. DON COVAY-Sookie Sookie
126. THE CONTENDERS-You Gotta Do What You Gotta Do
127. THE MANHATTANS-I Wanna Be (Your Everything)
128. THE VELVELETTES-A Needle In A Haystack
129. MAURICE & THE RADIANTS-Baby You've Got It
130. YOUNG HOLT UNLIMITED-Soulful Strut
131. HELENA FERGUSON-My Terms
132. THE OLYMPICS-Good Lovin'
133. CARLA THOMAS-Something Good Is Gonna Happen To You
134. ROY LEE JOHNSON-Boogaloo No.3
135. IKE & TINA TURNER-He's The One
136. THE SHIRELLES-Last Minute Miracle
137. JIMMY BURNS & THE FANTASTIC EPICS-It Used To Be
138. FRED HUGHES-Don't Let It Happen To Us
139. THE BARKAYS-A Hard Day's Night
140. THE TEMPTATIONS-Get Ready
141. J.J. JACKSON-Come See Me
142. THE CAPITOLS-You Got To Handle It
143. CLIFF NOBLES & CO.-Judge Baby I'm Back
144. RUFUS THOMAS-Jump Back
145. THE IMPRESSIONS-I'm The One Who Loves You
146. LITTLE MILTON-If Walls Could Talk
147. WILSON PICKETT-Mini Skirt Minnie
148. THE OLYMPICS-Rainin' In My Heart
149. TONY MIDDLETON-Paris Blues
150. THE APOLLAS-You're Absolutely Right
151. BETTY EVERETT-Trouble Over The Weekend
152. THE CAPER BROTHERS-I Ain't Gonna Write You
153. OTIS REDDING-(I Can't Get No) Satisfaction
154. RUFUS THOMAS-The Memphis Train
155. WILSON PICKETT-In The Midnight Hour
156. EDDIE FLOYD-Holding On With Both Hands
157. THE FOUR SHELLS-Hot Dog
158. BOBBY MOORE & THE RHYTHM ACES-Try My Love Again
159. EDDIE HOLLMAN-Leaving Here
160. RUFUS THOMAS-Sophisticated Sissy
161. MARVIN GAYE-One More Heartache
163. EDWIN STARR-I Want My Baby Back
164. MARVIN JENKINS-What Shall I Do
165. CLIFF NOBLES & CO.-Switch It On
166. REX GARVIN & HIS MIGHTY CRAVERS-Sock It To 'Em J.B.
167. IKE & TINA TURNER-Chickenshack
168. EDDY "G" GILES-Music
169. ANDRE WILLIAMS-Rib Tips
170. MAURICE & MAC-Why Don't You Try
171. ERMA FRANKLIN-Light My Fire
172. SHIRLEY ELLIS-The Clapping Song
173. LARRY CLINTON-She's Wanted
174. HERB JOHNSON-I'm So Glad
175. THE O'JAYS-Lipstick Traces (On A Cigarette)
176. JOE TEX-You Better Believe It Baby
177. BETTY EVERETT-Can't Hear You No More
178. OTIS REDDING-My Girl
179. BIG MAYBELLE-96 Tears
180. THE BUTLERS-She Tried To Kiss Me (All I Could Do Was Run)
181. CHUBBY CHECKER-At The Discotheque
182. MARTHA & THE VANDELLAS-Motoring
183. JIMMY HUGHES-Neighbor Neighbor
184. DOBIE GREY-See You At The Go-Go
185. THE IMPRESSIONS-I Love You (Yeah)
186. JIMMY HOLLIDAY-The New Breed
187. THE CAPITOLS-Patty Cake
188. THE DELLS-There Is
189. HOWARD TATE-Stop
190. LEE DORSEY-Ride Your Pony
191. THE C.O.D.'S-Michael
192. CHUCK JACKSON & MAXINE BROWN-Baby Take Me
193. THE BANDWAGON-Breaking Down The Walls Of Heartache
194. THE WORLD COLUMN-And So Is The Sun
195. THE SUPREMES-You Just Keep Me Hanging On
196. THE FOUR TOPS-Seven Rooms Of Gloom
197. THE PARLIAMENTS-(I Wanna) Testify
198. BEN E. KING-What Is Soul?
199. DON COVAY-Come Back And Take This Hurt Off Me
200. MARTHA REEVES-Without You


(Larry Clinton 45 scan courtesy of Haim Kenig)


Tuesday, April 19, 2011

Rare Mod Volume 3


















Various Artists-Rare Mod Volume 3 U.K. Acid Jazz CD AJXCD238 2001

Acid Jazz has been releasing quite a few 60's related items as of late (check this space for more), none better than the third installment of their all 60's/all U.K. "Rare Mod" compilation series that contains exclusively unreleased tunes.  I've decided to give you a quick track by track rundown:

1. The Montanas - Open The Door
I've got to say despite digging most of The Montanas 60's sides this one didn't really grab me.  It's a bit heavy, organ driven and reminds me of one of those late 60's tracks that crops up on "Le Beat Bespoke" that aren't always my scene.

2. Sean Buckley & The Breadcrumbs - No Matter How You Slice It
Heroes from the ancient "Searching In The Wilderness" LP comp thanks to their  "Everybody Knows" comes Sean Buckley and The Breadcrumbs.  Their offering here isn't as frantic but still great.  It's got a sort of '66 mod/soul discotheque feel with soulful vocals, cool breaks, organ and enthusiastic backing vocals.  Yeah!

3. Andee Silver-Baby I Need Your Loving
Some lame assed U.K. Motown covers stayed unreleased for a reason.  Nuff said.

4. Dave & The Diamonds - Think About Love
Slash and burn freakbeat stuff here driving with distorted guitar, punky/snotty vocals and a great tempo.

5. The Creation - Life is Just Beginning (Alternate Take)
With trepidation I whined "oh I've heard this before", but I didn't.  There's an extra verse an followed by a cool little orchestral bit that none of us has heard before.  A new trick for an old dead dog.

6. The Iveys - Chicago Calling

Lo-fi boring sophomore attempt.  Just lame. Not the pre-Badfinger lads.

7. Derry Wilkie & The Pressmen - Can You Think Of Another

Led by one of the handful of black singers working the Liverpool scene, the late Derry Wilkie, the music is pretty decent in this track but the vocals are a bit flat but I seem to recall an unnamed Liverpudlian beat musician referring to Wilkie as "the most soul-less black man I've ever heard".  Nuff said.
 
8. Goldie & The Gingerbreads-Look For Me Baby
New York transplants led by Goldie Zelkowitz/Genya Ravan pull out all the stops with a punchy version of The Kink's tune with some groovy organ.  I once heard that Georgie Fame played organ on some of their stuff but that's yet to be substantiated.  One of the best of the bunch here!

9. John’s Children - Desdemona (Alternate Take)

As above with the Creation track you're expecting something you've heard but again you're wrong.  This one features an entirely different lead vocal track (Andy Ellison sounds bored and unenthusiastic), wiggy organ going on in the background (reminiscent of the noodlings on "Indian Thing" by The Shotgun Express) and the "offending" lines 'lift up your skirt and speak/fly" replaced by a tamer "Why do you have to lie/speak".

The St. Louis Union















10. The St. Louis Union - About My Girl
Our Mancunian mod/r&b heroes The St. Louis Union appear here with a nifty unreleased gem full of some B-3 worthy of a Brian Auger or Dave Davani record and some bluesy belting from the late/great Tony Cassidy. The liner notes state it was recorded in the home of some cat in Huddersfield!

11. Kenny Bernard & The Wranglers - Midnight Hour
Boring live version from a normally decent U.K. r&b combo fronted by another black gentleman.

12. The Nocturnes - Sunflower
The Nocturnes were sort of a poor man's Episode Six (if that's possible), running the gamut of U.S. West Coast pop harmonies (best exemplified by their version of Jimmy Webb's "Carpet Man") but as this contribution and a track on the previous volume show, they had some groovy mod/soul up their sleeve with this number driven by some way out guitar and slight Hammond, like The Mamas and the Papas jamming with The Artwoods!

13. The Montanas - Dr Nero
Another heavy unreleased Montanas cut, dating, like the previous track, from 1970. This one is a bit more likable as it's frantic and has a cool bit that resembles to classical melody that The move used at the end of "Disturbance" but still has that feel that most records made by once "cool" Sixties artists who grow their hair and try to get "with it" after it was way, way too late.

14. The Preachers - Get Back To The One
The moddy jazz of the Bill Wyman produced, Peter Frampton sung Preachers only got one U.K. 45 but luckily there are more swinging sax accented killer tracks like this one lurking in the archives!

15. Sean Buckley & The Breadcrumbs - Shatterproof
Another Sean Buckley cut firmly in the Mod" camp, rocking but owes more than a bit to The Trogg's 1st single's B-side "The Yella In Me".  Dig the nifty bass!!

16. Dave & The Diamonds - Such Is Life
This one reminds me of a cross of Dave Davies fronting The Sorrows circa '65,  cool stomping beat with wiggy guitar and plenty of "la la la's" to compliment the campy lead vocals.

17. The Iveys - Little Egypt
Mama said if you can't say anything nice don't say anything at all. Good old Mama.

18. Unknown - Pink, Purple & Blue
An unknown group offering a great little beat/harmony number about a discotheque dollybird who parties too hard every night.  It's a very decent social commentary about the underside of Swingin' London by a band we'll never know.

19. Gary Brooker - Verse One
In between his stint with South Coast r&b connoisseurs The Paramounts and Procol Harum organist Gary Brooker cut a few unreleased cuts.  This one is somewhere between Booker T and Whistling Jack Smith!  Odd but amusing!

20. Wainwright’s Gentlemen - Ain’t That Just Like Me
A fairly pedestrian version of a number bettered by the Tony Jackson era Searchers, not terrible but rather pointless!!

Saturday, April 5, 2025

The Searchers-"Someday We're Gonna Love Again"

THE SEARCHERS-Someday We're Gonna Love Again/No-One Else Could Love Me U.S. Kapp 609 1964

Liverpool's Searchers hold the distinction of being the second most successful Liverpool 60's band in the United States in both chart and sales wise, with seven Top Forty hits all in the relatively brief window of just a year (1964-1965). 

"Someday We're Gonna Love Again" was their ninth U.S. single released in July of 1964 where it reached #34. It was simultaneously issued in England as Pye 15670. It was previously recorded by Barbara Lewis. Back in my younger years I bought an amazing Searchers 10" EP on PRT and this was one of my favorite tracks on it. The single would also be their last with bassist Tony Jackson, who left after being ousted following a ham fisted power struggle that saw him threaten to "out" drummer Chris Curtis in an attempt to gain leverage in leading the band (a position that was for all intents and purpose, held by Mike Pinder). 

For the uninitiated "Someday We're Gonna Love Again" is the epitome of "The Searcher's sound": jangly/chiming guitars, double tracked harmony vocals and a chirpy, uptempo feel to it all. It's catchy, and the infectious "do dit doo do doo do dit" chorus sticks pleasantly in one's brain. 













The flip side, "No One Else Could Love Me", was penned by drummer Chris Curtis . Sadly it's fairly unimpressive, and though it showcases the band's incredible harmonies the song itself is a fairly pedestrian beat ballad. 

Both sides are available on a host of Searchers collections that thanks to the likes of Castle Communications are NEVER out of print. Both sides are also available on streaming. 

Hear "Someday We're Gonna Love Again":

https://youtu.be/gUehZ7elW-U?si=ZtmCF1x9B7peLkuK

Hear "No One Else Could Love Me":

https://youtu.be/Jxy3NmE6Itc?si=pbZqaRJObDpBVwhK

Friday, October 2, 2015

Let's Talk About Girls Part Two: 10 More Cool U.K. 60's Girl Discs

Several years back we came up with ten U.K. 60's female vocalists records outside the usual realm of Sandie, Cilla, Dusty et al.  You can check that out here.  And here's ten more....





















1. JULIE GRANT-"Stop" U.K. Pye 7N.15937 1965
Julie Grant's final U.K. single after a lengthy sixteen single and one E.P. run for Pye was this previously unreleased in the U.K. Moody Blues composition (released in the States by The Moodies which we covered here). Sticking to the Moodies arrangement but sweetened by strings and a pastoral oboe solo it's carried equally by her powerfully indignant sounding vocals and the songs incredible catchy "stops" if you'll excuse the pun.

https://youtu.be/-kz0XOly6l0

2. THE McKINLEYS-"Sweet And Tender Romance" Parlophone R5211 1964
This Carter/Lewis composition covered by Edinburgh duo Shelia and Jeannette (known collectively as The McKinleys) is best known for it's distinct guitar contributed by session man Jimmy Page but there's much much more to it as you will hear. Have a gander at them on "Ready Steady Go!" plugging it (embedding disabled by request) and see if I'm wrong:

https://youtu.be/5Rhn6mx8s_k

3. SHARON TANDY-"Look And Find" U.K. Atlantic 584137 1967
From South Africa via the U.K. this track by Sharon comes from the flip of her overblown Vanilla Fudge version style treatment of "Our Day Will Come".  The heaviness by her backing band The Fleur De Ly's is held in check and the soulfulness is intact as Sharon's strong voice pulls it all off with backing vocals that sound a bit like The Action.

https://youtu.be/_D168uV5on0




















4. THE CARAVELLES-"Hey Mama You've Been On My Mind" U.K. Polydor  BM 56137 1967
From the duo who brought us the insipid "You Don't Have To Be A Baby To Cry" comes redemption in the form of this sweeping, mournful, orchestrated folk rock piece (a cover of a track originally cut the previous year in the States by The Restless Feelin's on United Artists). Spearheaded by their angelic voices amidst a bombastic but chilling Spector-esque production courtesy of one Richard Hill (best known for his work with Sharon Tandy) it's spine tingling.

https://youtu.be/U3RZh-kq83o

5. TWINKLE-"Mickey" U.K. Instant IN 005 1969
Best known for her 1964 biker teen melodrama hit "Terry" and her Decca records stint, my money is on Twinkle for her late career soulful pop two sider from '69 on Instant (an Immediate records spin off) "Mickey" (and it's flip "Darby And Joan"). "Mickey" is full of lots of  rousing soul  licks and everything under the sun thrown in for good measure (Sweet Inspirations style backing vocals, congas, Foundations style backing brass and loads of "hey hey hey's!").

https://youtu.be/XC-lAtWV3uw


6. NITA ROSSI-"Untrue Faithful That Was You" U.K. Piccadilly 7N 35258 1965
This Gordon Mills penned 45 (also covered by Mills goldmine Tom Jones on his "What's New Pussycat" US LP) skillfully orchestrated by Johnny Harris is one of my favorite mid 60's British girl angst records.  The strings and shrill flute right before the chorus is damned infectious and Nita's vocals seems to convey that she means every word she's singing.

https://youtu.be/t-mZDTHM_Jg

Barbara Ruskin c/o http://www.barbararuskin.com/





















7. BARBARA RUSKIN-"Pawnbroker Pawnbroker" U.K. President PT 217 1968
Starting off with an eerie Celtic sounding penny whistle melding with some wiggy fuzz guitar straight off a Strange Things Are Happening CD comp  track "Pawnbroker Pawnbroker" is a perfect slice of post Swinging London gritty social commentary (written by Barbara) showing it wasn't all hip in-crowd night spots, Carnaby Street shopping sprees and trust funds.

https://youtu.be/KJZV8oV9000


8. THE STOCKING TOPS-"I Don't Ever Wanna Be Kicked By You" U.K. CBS 3407 1968
Sounding completely in the vein of The Flirtations first few Deram releases this incredible Kenny Lynch composed and produced number (with arrangements by John Paul Jones in between his new Led Zeppelin commitment) was the product of two sisters Yvonne and Heather Wheatman who'd previously recorded as the duo Sue and Sunny.  It's perhaps the most soulful British female recording I've ever encountered and worth checking out if you like to dance.

https://youtu.be/N7NVU2rTg3Q





















9. ANITA HARRIS-"The Playground" U.K. CBS 2991 1967
From the busy bass line intro to the lush orchestration by Alan Tew worthy of any 60's British kitsch film soundtrack Anita Harris coos over an arrangement that verges on supper club pop but with soulful handclaps and thundering drums. Top notch stuff with a catchy ending chorus repeated like a mantra: "and now only wind whistles in and out" over and over with sweeping strings and someone (probably Clem Cattini or Bobby Graham) bashing the shit out of their kit.

https://youtu.be/_ebDX-Re-JA

10. SIMONE JACKSON-"Where Am I Going" U.S. Only  American Music Makers AMM-00-2 1967
Simone Jackson cut three singles in the U.K. for Piccadilly in '62-'63 then pretty much vanished from any further music releases as far as I can tell.  I'm not entirely sure that this U.S. only release is her but it certainly sounds like it and the Jim Economides production and David Whittaker arrangement tag are a dead giveaway for a U.K. product. Not to be confused with the Tony Hatch composed Petula Clark tune of the same name, "Where Am I Going" is a somber, dreary, rainy day ballad that is layered in overwrought strings and all the pomp and spunk of the best Leslie Gore teen melodrama.

https://youtu.be/9D6xQEs6EUI

Saturday, November 5, 2016

The Best Of Sue Records (U.K.)

The U.K. Sue label has long been a favorite of mine. From 1963 until 1968 it served as a UK outlet for a varied discography of US soul, blues r&b and even jazz 45's, many of which were never issued on the U.S. Sue label. In our continuing new tradition of "Top 10's" I've chosen 10 releases on the label that are my favorites. It wasn't an easy task but hopefully I have covered the gamut of this exciting, diverse label.





















1. BILLY PRESTON-"Don't Let The Sun Catch You Crying" WI 4012 1966
Not to be confused with the Gerry and the Pacemakers number, this monster mellow/moody Hammond B-3 masterpiece is a version of a Louis Jordan track that's hands down my favorite of all the U.K. Sue releases and Billy Preston's finest dripping with soul AND blues through his masterful organ workout. Originally released in the States in 1965 as Vee Jay VJ-653.

https://youtu.be/18y24sFZWao

2. TONY WASHINGTON AND THE D.C.'s-"Show Me How (To Milk A Cow) WI 327 1964
One of the rarest U.L. Sue 45's is also the label's sole foray into ska territory. Jamaican vocalist Washington cut a host of ska 45's in the U.K. for the likes of Sue, Decca and Black Swan before cutting this one off for Sue. It smacks of cash in (especially the title and lyrics that smacks of a "how to" ska dance tutorial) but it's so well done and damned infectious that I can't help but love it.

https://youtu.be/uFp3NayRqAw




















3. THE PLEASURES-"Music City" WI 357 1965
Originally released way back in March 1963 on the Catch label (100), "Music City" is a smooth r&b number with male and female vocals and any tune that mentions a "phonograph booth" is alright by me with several swatches of other "contemporary" hits ("Walk Right In", "Loop De Loop" etc). I have yet to determine if they were the same Pleasures who cut two 45's in the States for the RSVP label in 1964 and 1965.

https://youtu.be/Fhd_QJ-ZSvI

4. THE MANHATTANS-"I Wanna Be (Your Everything)" WI 384 1965 
My home state soul gang The Manhattans got a unique release on Sue that combined my two favorite tracks by them "I Wanna Be (Your Everything)" and "Searchin' For My Baby" that were both previously released as separate A-sides in the U.S. (on Carnival 507, November 1964 and Carnival 509, March 1965 respectively). "I Wanna Be (Your Everything)" is a nice uptempo soul ballad with razor sharp call and response vocals and some nice twangy Charlie Foxx style guitar work.

https://youtu.be/p9Il19GaLEw





















5. BOBBY PARKER-"Watch Your Step" WI 340 1964
Bobby Parker's double sided killer (with "Steal Your Heart Away" on the flip) was first aired in the U.S. on the V-Tone label (223) in July 1961. Both sides were covered by a host of British r&b and beat groups leading one to wonder if it's popularity led to its release in the U.K. or if the large number of artists committing their versions to vinyl led U.K. Sue to capitalize on it by releasing it. "Watch Your Step" is a gritty, raunchy, fast paced r&b cooker that supplied many a U.K. Merseybeat and r&b act a platform. Have a listen and tell me that this had something to do with Steve's Marriott and Winwood's vocal stylings.

https://youtu.be/TvtabNAb_wE

6. MR. DYNAMITE-"Sh'mon (Part One)" WI 4027 1967
Long rumored to be James Brown in disguise (something that the folks behind this record did not bother to try to refute allegedly) this record is NOT the Godfather of Soul, though the 100 mph workout and heavy brass certainly have the feel of a J.B. and The Famous Flames disk! My pal Larry Grogan over at Funky 16 Corners tells me that Mr. Dynamite was a gent named Bobbie Howard who was in the U.S. garage band The British Walkers. "Sh'mon" was released on the Soultime label (001) in 1966 back in the States. Both pressings are worth a small fortune.

https://youtu.be/ziMcGmdpfgc





















7. THE DAYLIGHTERS-"Oh Mom (Teach Me How To Uncle Willie") WI 343 1964
Without a doubt my favorite U.K. Sue side to DJ is the imminently danceable "Oh Mom (Teach Me How To Uncle Willie)". From it's false start beginning to it's driving drum beat and funky guitar/piano interplay it's a non stop mover.  It was released in the States on Chicago's Tip Top label (2008) in 1964 and was first brought to my attention 30 years ago via Zoot Money and his Big Roll Band.

https://youtu.be/nTKA8ZIf_o4

8. LYDIA MARCELLE-"Another Kind Of Fellow" WI 4025 1966
One of my favorite later soul sides on U.K. Sue was this mid tempo number that I can find no previous U.S. release of (though it's flip "I've Never Been Hurt Like This before" was issued in the States as the flip to her "Everybody Dance" 45 as Atco 45-6366 1966). It's one of the rarer U.K. Sue sides and of course demands a high $$, but regardless it's an infectious tune.

https://youtu.be/tnmT8S107nY

Scan c/o 45cat.com




















9. ALEXANDER JACKSON & THE TURNKEYS-"The Whip" WI 386 1965
Here's a doozy of a title re-arrange/change! Originally issued in the U.S. as "Flea Pot" by The Lala Wilson Band (Aura 4509 1965) for some reason the artist and the track title got a make over for this U.K. release. Regardless it's probably one of the most rocking instrumentals issued by the label all down to it's sophisticated horns and twangy Steve Cropper styled licks that burst through. Another dance floor sensation that will cost you if you find it.

https://youtu.be/wTjlLxutDCM

10. JERRY BUTLER-"Just For You" WI 4009 1966
Tucked away on the flip of the US 45 "Believe In Me" (Vee Jay VJ-707 October 1965) the folks at U.K. Sue made the right choice by flipping the sides and putting this uptempo stormer on the top side. "Just For You" has the perfect ingredients : a great beat, high falsetto backing vocals, subtle horns and some powerful vocals by the Iceman (especially when he starts scatting).

https://youtu.be/VrtmjderEFM